EN
The sepulchral chapel in Nowa Wieś was erected in 1828 by the then owner o f the local estate — Tomasz Gąsiorowski. In contrast to other Classicistic sepulchral family chapels and fashionable park pavilions, it does not emulate ancient distilos, prostylos or monopteros temples. Its form was inspired by the classical funeral urn or sarcophagus. In Poland, a similar form appeared for the first time in 1793 when the renowned architect Szymon В. Zug designed a garden pavilion — the Tomb o f Illusions — for the residence o f Halina Radziwiłł in Arkadia, near Łowicz. Its project was never realised and was probably employed for the chapel in Now a Wieś by the architect Wilhelm Henryk Minter, who after the death o f Zug purchased the majority o f his designs. The similarity between the Tomb o f Illusions and the sepulchral chapel in Now a Wieś is not accidental. Minter, the author o f primarily monumental and austere military buildings, referred to the stylistic o f the French avantgarde such as David Gilly and J ean-Nicolaus-Louis Durand. He also built o f a small Classicistic palace in Falęcin, close to N ow a Wieś. Much seems to indicate that he could have been the author o f the unique object. The rank o f the chapel is enhanced by an illusionistic architectonic polychromy covering the walls and ceiling, and modelled on classical patterns. The state o f the preservation o f the chapel and, predominantly, the polychromy is highly disturbing and requires urgent conservation intervention.