Konserwacja obrazu Zofii Stryjeńskiej "Taniec z gitarą"

• Authors: Rouba Bogumiła J.

Title variants

EN

THE CONSERVATION OF ZOFIA STRYJENSKA’S PAINTING ’’THE DANCE WITH A GUITAR’

• Languages of publication: PL

Abstracts

EN

The article is a report on the conservation o f the painting ’’The Dance with a Guitar” by Zofia Stryjeńska. The painting was done in a distemper technique on the canvas coated with a chalk and glue mortar. Prior to the conservation it was very dirty and stained. A powdered ’’lean” painting coat had practically no adhesiveness to the mortar. The conservation works were aimed at: 1. finding the best method o f cleaning the painting, 2. selecting such a consolidating agent that would not cause optical changes on the surface, and 3. restoration treatment. Having checked a number o f methods, the painting has beee cleaned with soft rubber (made by Rowney), partially prior ttf and partially after the consolidation. An attempt to consolidan with metylcellulose, a Rowney’s fixative and with BEVA 371 gavo negative results. Only the application o f 3 per cent solution oe Lascaux Acrylglasur 40X Glanz (made by Lascaux) has resulted in a positive effect: a fine consolidation without any optical changes in the surface. The picture has been pointed with acryl paints.

• Publisher: Narodowy Instytut Dziedzictwa
• Journal: Ochrona Zabytków
• Year: 1980
• Issue: 1
• Pages: 68-72

Dates

published

1980

Contributors

author

Rouba Bogumiła J.

• mgr, Instytut Zabytkoznawstwa i Konserwatorstwa Uniwersytetu im. M. Kopernika Toruń

Notes

PL

Sprostowanie z numeru nastepnego W poprzednim numerze „Ochrony Zabytków’ (XXXIII, nr 1 1980) w artykule Bogumiły J. Rouby pt. Konserwacja obrazu Zofii Stryjeńskiej ,,Taniec z gitarą" omyłkowo zmieniona została kolejność ilustracji 1 i 3—stan przed konserwacją przedstawiono jako stan po konserwacji i odwrotnie.