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2019 | 28/3 | 71-84

Article title

The Return of the Silenced: Aboriginal Art as a Flagship of New Australian Identity

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Abstracts

The paper examines the presence of Aboriginal art, its contact with colonial and federation Australian art to prove that silencing of this art from the official identity narrative and art histories also served elimination of Aboriginal people from national and identity discourse. It posits then that the recently observed acceptance and popularity as well as incorporation of Aboriginal art into the national Australian art and art histories of Australian art may be interpreted as a sign of indigenizing state nationalism and multicultural national identity of Australia in compliance with the definition of identity according to Anthony B. Smith.

Contributors

  • Adam Mickiewicz University, Poznań

References

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  • Jupp, James, ed. 2001. An Encyclopedia of a Nation, Its People and Their Origins. Cambridge: Cambridge University Press.
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  • Lencznarowicz, Jan. 2005. Australia. Warszawa: Trio.
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  • Morgan, Anthony. 2002. “The Psychodynamics of Australian Settler Nationalism: Assimilating or Reconciling with the Aborigines.” Political Psychology 23. 4: 667–701.
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  • Rickard, John. 1996. Australia. A Cultural History. London: Longman.
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  • Wolfe, Patrick. 1999. Settler Colonialism and Transformation of Anthropology. The Politics and Poetics of an Ethnographic Event. London and New York: Cassell.
  • Wroth, David. 2014. The Early Infl uence of Geoff rey Bardon on Aboriginal Art. Japingka Gallery. https://japingkaaboriginalart.com/articles/geoff rey-bardoninfl uence

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bwmeta1.element.desklight-58cb6e69-166d-42af-ba7d-d4e68e62a907
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