PL EN


2010 | 17-18 | 97-110
Article title

Giuseppe Arcimboldo: maniera „widziana jako”

Authors
Content
Title variants
EN
Giuseppe Arcimboldo’s Manner of „Seen as”
Languages of publication
PL
Abstracts
EN
Mannerism and similarly the Renaissance has its impact on the development of the representational arts. The etymology of the name is connected with the word manner synonymous with the new style. Giuseppe Arcimboldo’s oeuvre exemplifies the style of mannerism in combination with the Renaissance idea of beauty. The mysterious paintings by the amazing painter were commonly admired and attracted many followers. His masterpieces were forgotten by the next generations and their rediscovery can be ascribed to surrealists. All Arcimboldo’s works, which obeyed the rules of bizarre Mannerist painting – multidimensional and surprising – are in accordance with Ludwig Wittgenstein’s aspectual seeing. The philosophical reflection on Arcimboldo’s painting is supposed to show a contemporary audience a new aspect of the Italian master’s works
Year
Issue
Pages
97-110
Physical description
Dates
published
2010
Contributors
  • ZSB-D im. Armii Krajowej, Żywiec
References
Document Type
Publication order reference
Identifiers
ISSN
1643-1243
YADDA identifier
bwmeta1.element.desklight-597dff9d-4949-42d6-940a-b5a90585fd09
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