Giuseppe Arcimboldo: maniera „widziana jako”

• Authors: Malec Iwona M.

Title variants

EN

Giuseppe Arcimboldo’s Manner of „Seen as”

• Languages of publication: PL

Abstracts

EN

Mannerism and similarly the Renaissance has its impact on the development of the representational arts. The etymology of the name is connected with the word manner synonymous with the new style. Giuseppe Arcimboldo’s oeuvre exemplifies the style of mannerism in combination with the Renaissance idea of beauty. The mysterious paintings by the amazing painter were commonly admired and attracted many followers. His masterpieces were forgotten by the next generations and their rediscovery can be ascribed to surrealists. All Arcimboldo’s works, which obeyed the rules of bizarre Mannerist painting – multidimensional and surprising – are in accordance with Ludwig Wittgenstein’s aspectual seeing. The philosophical reflection on Arcimboldo’s painting is supposed to show a contemporary audience a new aspect of the Italian master’s works

Keywords

EN

Giuseppe Arcimboldo; Mannerism; manner; Renaissance idea of beauty; paintings; surrealism; Ludwig Wittgenstein

• Publisher: Instytut Filozofii - Uniwersytet Jagielloński
• Journal: Estetyka i Krytyka
• Year: 2010
• Issue: 17-18
• Pages: 97-110

Dates

published

2010

Contributors

author

Malec Iwona M.

• ZSB-D im. Armii Krajowej, Żywiec

Identifiers

ISSN

1643-1243