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Journal

2013 | 12(19) | 269-277

Article title

Nature’s Horror and Grand Style in Lars von Trier’s Antichrist

Authors

Content

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Languages of publication

EN

Abstracts

EN
This essay brings forward and analyzes some constitutive elements of Lars von Trier’s Antichrist that enable an understanding of its alleged morbidity and misogyny in terms of the sovereignty of aesthetic experience and its relation to the problem of cultural nihilism. These elements are the followings: the juxtaposition of horror and lyricism, and a corresponding archaic understanding of nature; the disengagement of visual and audio elements from their narrative function, and a corresponding deconstruction of the representational character of the movie itself.

Keywords

Journal

Year

Issue

Pages

269-277

Physical description

Contributors

  • Catholic University of Pelotas

References

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  • Joyce James. 2000. A Portrait of the Artist as a Young Man. London: Peguin Books.
  • Kant Immanuel. 1974. Kritik der Urteilskraft. Frankfurt am Main: Suhrkamp.
  • Kristeva Julia. 1974. La revolution du langage poétique. Paris: Éditions du Seuil.
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  • Stiegler Bernard. 2004. Mécréance et discédit: La decadence des démocraties industrielles. Paris: Galilée.
  • Tarkovsky Andrei. 1994. Time within Time. The Diaries. 1970-1986. London: Faber and Faber.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.desklight-5a0ccfa3-d9e0-49e5-bd77-3c5123a56a35
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