The Structures of Memory. The images of space-time in Andrzej Munk’s film "Passenger"

• Authors: Paulina Kwiatkowska
• Languages of publication: EN

Abstracts

EN

"Passenger" was the last and uncompleted film by Andrzej Munk who died tragically in 1961. The film was finished by Munk’s friends and collaborators on the basis of the footage left by the director. It is known that Munk was not fully satisfied with all the material and planned to introduce some changes. The film combines in an unusual way two forms of "records of memory" – photography and film. In a very interesting argument Kwiatkowska juxtaposes and interprets various spaces of remembrance that can be found in the movie.

Keywords

EN

Munk Andrzej; Holocaust; Memory

• Publisher: Institute of Art, Polish Academy of Sciences
• Journal: Kwartalnik Filmowy
• Year: 2013
• Issue: Special Issue - Polish Film Scholars on Polish Cinema
• Pages: 6-30

Contributors

author

Paulina Kwiatkowska

• Instytut Kultury Polskiej, Uniwersytet Warszawski,

References

• Bakhtin, Mikhail. 1981. Forms of Time and of the Chronotope in the Novel. W: tenże. The Dialogic Imagination, Four Essays. red. M. Holquist, przeł. C. Emerson, H. Holquist. Austin-Texas: University of Texas Press.
• Beylin, Stefania. 1961. Z Andrzejem Munkiem rozmawiałam w poniedziałek 18 września. „Film”, no. 41.
• Bergson, Henri. 1998. Creative Evolution. Tłum. A. Mitchell. New York: Dover Publications.
• Deleuze, Gilles. 2000. Proust and Signs. Tłum. R. Howard. London: The Athtone Press.
• Kordys, Jan. 2001. Pamięć i opowiadanie. W: Praktyki opowiadania, red. B. Owczarek, Z. Mitosek, W. Grajewski. Kraków: Universitas.
• Foucault, Michel. 1990. The History of Sexuality, vol. 1. Tłum. R. Hurley. London: Penguine.