Teoria kompozycji discontinuum-continuum meksykańskiego kompozytora Julio Estrady

• Authors: Manuel Antonio Dominguez Salas

Title variants

EN

Discontinuum-continuum: the theory of composition by Julio Estrada

• Languages of publication: PL

Abstracts

EN

The Julio Estrada’s output is still the unexplored area, what creates the opportunity to study the phenomenon called discontinuum-continuum. During the last 36 years of the creative activity, Estrada has developed several aspects of the macro timbre that integrate several compounds of a composition. In his research, Estrada confronts two different situations in the compositional process: continuous transformation of the sound and chronographical method, using strictly defined re¬cording process in order to receive three-dimensional movements of the sound in the topological order. As a result of existing these two situations, a musical work is impossible to be defined by one technique or musical style. Examination of the theory of composition called discontinuum-continuum allows one to understand a new methodology of musical creation that involves scientific research of the physical phe¬nomenon of sound and introspection of the imagination of the sound.

Keywords

EN

Julio Estrada,; discontinuum-continuum,; macro-timbre,; contemporary Mexican music

• Publisher: Koło Naukowe Studentów Muzykologii UJ
• Journal: Kwartalnik Młodych Muzykologów UJ
• Year: 2017
• Issue: 1(32)
• Pages: 109-125

Dates

online

2017-03-31

Contributors

author

Manuel Antonio Dominguez Salas

• Akademia Muzyczna w Krakowie

References

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Identifiers

ISSN

2353-7094