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2015 | 63 | 11: Anglica | 291-307

Article title

Reading the city: Edwin Morgan’s “Glasgow Sonnets” as a contemporary urban sonnet sequence

Title variants

PL
Odczytywanie miasta – ‘Glasgow Sonnets’ Edwina Morgana jako współczesny cykl sonetów miejskich

Languages of publication

EN

Abstracts

EN
This essay is an analytical study of a ten-poem sequence of sonnets written by Morgan in the seventies of the twentieth century. In it the late Scottish Makar creates a sophisticated poetic map of the city’s dynamic architectonic and sociological mutations by means of sophisticated language patterns. The poetic strategies used by Morgan in this cycle of sonnets aim at rendering the social and political problems of a modern city through equally advanced and amorphous linguistic operations. A detailed analysis and interpretation of all ten sonnets creates a poetic map of Glasgow with its characteristic and randomly chosen places, populated by people who find it difficult to accommodate there. Morgan’s sequence of sonnets becomes a refined and compound structure which, while relying on traditional motifs and patterns of Renaissance sonnets, transforms most of them and creates their modern unconventional lyrical equivalents.
PL
Artykuł niniejszy to studium sekwencji dziesięciu sonetów napisanych przez szkockiego poetę narodowego Edwina Morgana na początku lat siedemdziesiątych XX wieku. W artykule tym autor próbuje prześledzić sposoby odwzorowania współczesnej rzeczywistości szkockiej metropolii w końcu dwudziestego wieku za pomocą kanonicznej formy sonetu, stworzonej w trzynastym wieku głównie do wyrażania uczuć wysokich takich jak miłość. Szczegółowa analiza wszystkich dziesięciu wierszy cyklu potwierdza oryginalną tezę, iż złożoność uwarunkowań ekonomicznych, społecznych i politycznych w jakich funkcjonuje współczesny Glasgow, determinuje użycie równie skomplikowanej materii językowej do jego właściwego literackiego odwzorowania.

Year

Volume

63

Issue

Pages

291-307

Physical description

Contributors

  • Institute of English Studies at the John Paul II Catholic University of Lublin

References

  • Ballantyne, Aileen. Politics and the Personal in the Sonnet and Sonnet Sequence: Edwin Morgan’s “Glasgow Sonnets,” Tony Harrison's “from The School of Eloquence” and selected sonnets by Paul Muldoon, Edinburgh: University of Edinburgh, 2014. Unpublished doctoral dissertation.
  • Barry, Peter. Contemporary British Poetry and the City. Manchester and New York: Manchester University Press, 2000.
  • Bell, David. Ukiyo-e Explained. Global Oriental, University of Michigan, 2004. Print
  • Bender, Robert M. and Charles L. Squier (eds.). The Sonnet: An Anthology. New York: Washington Square Press, 1987.
  • Brandon, Samuel George Frederick. The Judgment of the Dead: The Idea of Life after Death in the Major Religions. London: Weidenfeld & Nicolson, 1967.
  • Burt, Stephen and David Mikics. eds. The Art of the Sonnet, Cambridge and London: Harvard University Press, 2010.
  • Cambridge, Gerry and Edwin Morgan. “Edwin Morgan in conversation.” The Dark Horse, Summer 1997.
  • Crawford, Robert & Hamish Whyte. About Edwin Morgan. Edinburgh: Edinburgh University Press, 1990.
  • Dunn, Douglas. “Morgan’s Sonnets.” In Robert Crawford & Hamish Whyte (eds.). About Edwin Morgan. Edinburgh: Edinburgh University Press, 1990.
  • Eavan, Boland and Edward Hirsh (eds.). The Making of a Sonnet. A Norton Anthology. New York: Norton, 2008.
  • Howes, Llewellyn. “Measuring and weighing psychostasia in Q 6:37–38: Intertexts from the Old Testament.” HTS Teologiese Studies/Theological Studies 70 (2014), 1, Art. #1952, 9 pages. http://dx.doi.org/10.4102/hts.v70i1.1952.
  • Kermode, Frank and John Hollander (eds.). The Oxford Anthology of English Literature. New York: Oxford University Press, 1980.
  • Kitagawa, Joseph Matsuo and Charles H. Long (eds.). Myths and Symbols : Studies in Honor of Mircea Eliade. Chicago : University of Chicago Press, 1969.
  • Kobayashi, Tadashi. Ukiyo-e: An Introduction to Japanese Woodblock Prints, trans. Mark A. Harbison. Tokyo: Kodansha International, 1997.
  • Lane, Richard. Images from the Floating World: The Japanese Print. New York: G.P Putnam’s Sons, 1978.
  • Meech, Julia and Gabriel P. Weisberg. Japonisme Comes to America: The Japanese Impact on the Graphic Arts, 1872–1925. New York: Abrams, 1990.
  • Morgan, Edwin. “The Poet and the City.” Comparative Criticism 18 (1996).
  • Morrison, James V. “Kerostasia, the dictates of fate and the will of Zeus in the Illiad.” Arethusa 30 (1997), 2.
  • Nicholson, Colin. Edwin Morgan: Inventions of Modernity. Manchester & New York: Manchester University Press, 2002.
  • Rossetti, Dante Gabriel. Ballads and Sonnets. London: F.S. Ellis, 1881.
  • The Holy Bible: King James Version. Oxford: Oxford University Press, 1772.
  • Williams, Nerys. Contemporary Poetry. Edinburgh: Edinburgh University Press, 2011.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.desklight-6286f049-a938-40b4-8234-baa9af12e70a
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