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2018 | 9 "Memory, Melancholy and Nostalgia" | 43-54

Article title

The Regime of Memory in “The Museum of Innocence”: The Past as an Age of Innocence

Content

Title variants

Conference

4th International Interdisciplinary Memory Conference “Memory, Melancholy and Nostalgia” (17-18 Semptember, 2015 in Gdansk)

Languages of publication

EN

Abstracts

EN
In this paper, the regime of memory produced in The Museum of Innocence, a museum created and curated by the author Orhan Pamuk is discussed. The museum was opened in 2012 in Istanbul and it was based on Pamuk’s novel of the same title published in 2008. The intertextual novel -museum and the museum-novel blur the distinctions between fiction and reality, as well as the distinctions between individual and social memories and focus on everyday life and personal objects rather than the “monumental” national history. The regime of memory produced in this museum is discussed in this paper in relation with the process of modernization in Turkey. The understanding of time, space, reality and individual prevailing in the museum are evaluated in order to understand whether the museum produces a creative remembering that problematized the process of remembering or a regime of remembering that is based on absolutizing the past.

Keywords

Contributors

  • Bahçeşehir University in Instanbul (Turkey), Faculty of Communication

References

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  • Giebelhausen Michaela. 2006. The Architecture is the Museum, 41-64. In: Marstine Janet, ed. New Museum Theory and Practice: An Introduction. MA: Blackwell Publishing.
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  • Morris Rachel. 2012. Imaginary Museums: What Mainstream Museums Can Learn From Them, 5-12. In: MacLeod Suzanne, Hourston Hanks Laura, Hale Jonathan, eds. Museum Making: Narratives, Architectures, Exhibitions. London, New York: Routledge.
  • Pamuk Orhan. 1990. Kara Kitap. İstanbul: Can
  • Pamuk Orhan. 2008. Masumiyet Müzesi. İstanbul: İletişim
  • Pamuk Orhan. 2009. The Museum of Innocence. Freely Maureen, trans. London: Faber and Faber Limited.
  • Pamuk Orhan. 2012. Şeylerin Masumiyeti. İstanbul: İletişim Yayınları.
  • Prus Elena. 2014. “The World as a Museum in the Post/Postmodern Society”. International Journal of Communication Research 4 (1): 47-52.
  • Vergo Peter. 2006. Introduction, 1-6. In: Vergo Peter, ed. The New Museology. Sixth Edition. London: Reaktion Books.
  • Walsh Kevin. 1992. The Representation of the Past: Museums and Heritage in the Post-Modern World. London, New York: Routledge.
  • Xing Yin. 2013. “The Novel as Museum: Curating Memory in Orhan Pamuk’s The Museum of Innocence.” Critique: Studies in Contemporary Fiction 54 (2): 198-210.

Document Type

Publication order reference

YADDA identifier

bwmeta1.element.desklight-642770ed-cd2f-4155-854e-00da0cc7a9b0
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