PL EN


2014 | 1(20) | 4-19
Article title

Elementy flamenco w twórczości Manuela de Falli na podstawie baletu El sombrero de tres picos

Content
Title variants
EN
The elements of flamenco in the work of Manuel de Falla on the basis of the ballet El sombrero de tres picos
Languages of publication
PL
Abstracts
EN
Present thesis concerns the influence of the flamenco music on Manuel de Falla’s ballets. Manuel de Falla was the 20-th century spanish composer. In classical compositions Falla often had been inspired by the artistry of flamenco however the most had been shown in his ballets. The purpose of this study was to investigate which elements of flamenco has been used by Falla and approach to spanish folk music on an example of El sombrero de tres picos. The story – a magistrate infatuated with a miller’s faithful wife attempts to seduce her – derives from the novella by Pedro Antonio de Alacón. The composition history is very intresting because Manuel de Falla first wrote pantonima ballets – El corregidor y la molinera – based on this novella. Sergei Diaghilev, of the Ballet Ruses, saw the premiere of El corregidor y la molinera and commissioned Falla to rewrite it. The outcome was a two-act ballet scored for large orchestra called El sombrero de tres picos. Not only the text is about the spanish customs and people but throughout the ballet Falla uses traditional Andalusian folk music. I would like to exhibit and prove it.
Year
Issue
Pages
4-19
Physical description
Dates
published
2014-01-01
Contributors
  • Uniwersytet Jagielloński w Krakowie
References
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  • Einstein A., Muzyka w epoce romantyzmu, przeł.: M. i S. Jarocińscy, Kraków 2009.
  • Falla M. de, Nuestra música, „Música”, I, no. 11, col. 2.
  • Falla M. de, Escritos sobre música y músicos, Madryt 1988.
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  • Garcia Matos, Folklore en Falla, „Música”, I, no 6.
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  • Jean-Aubry G., Manuel de Falla, „The Musical Times” no. 890, April 1, 1917.
  • Karol Szymanowski o muzyce współczesnej. Wywiad specjalny „Kuriera Polskiego”, w: Karol Szymanowski Pisma. Pisma muzyczne, t.1., red. K. Michałowski, Kraków 1984.
  • Lucas L., L’Acoustique novelle, ou Essai d’application d’une mè hode philosophique aux questions èlevèes de l’acoustique, de la musique et de la compositions musicale, Paryż 1854.
  • Manuel de Falla (w serii: „Miniature Essays”), London 1922.
  • Manzano Alonso M., Fuentes populares en la musica de El sombrero de tres picos, w: Los Ballets Russes de Diaghilev y España, red. Y. Nomminick, A. Alvarez Cañibano, Madryt 2000.
  • Mayer-Serra O., Falla’s Musical Nacionalism, „The Musical Quarterly”, vol. 29, no.1, January, 1943.
  • Molina Fajardo E., Manuel de Falla y el cante jondo: edición especial homnaje a Manuel de Falla, Granada 1976.
  • Nommick Y., El Sombrero de Tres Picos, w: El Sombrero de Tres Picos y Noches en los Jardines de España. CD, 1997.
  • Pahlen K., Manuel de Falla und die Music in Spanien, Freiburg im Breisgau 1953.
  • Rogalska-Marasińska A., Magiczny świat flamenco, Kraków 1999.
  • Turska I., Przewodnik baletowy, Kraków 1989.
Document Type
Publication order reference
Identifiers
ISSN
2080-3249
YADDA identifier
bwmeta1.element.desklight-655de057-6034-4168-b1df-c7739af6124b
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