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PL EN


1993 | 3 | 223-225

Article title

Rekonstrukcja jako metoda w konserwacji zabytków ruchomych

Content

Title variants

EN
Reconstruction as a method for the conservation of mobile monuments

Languages of publication

PL EN

Abstracts

EN
It must be said at the outset that today reconstruction remains a sad necessity which can be applied only in certain cases, but not as a permanent element of conservation. The simplest differentiation of the supplementation of gaps is to describe lesser tasks as partial restoration and larger ones as reconstruction. The intention of conservation supplementation should be primarily to make the given object more legible, and not to restore its original appearance (a task which it is impossible to achieve anyway). Supplementation should mask gaps sufficiently to create the illusion of a uniform work, and to make it feasible to decipher its artistic merits. The opponents of such operations claim that supplementation must not be applied since a work of art should, as a document, remain in the state in which it has survived. The limits and manner of reconstruction, and even the purposefulness of supplementation, are controversial. The principles of conduct are to a considerable measure defined by the type of artwork, its value, the nature of the devastation, the legibility of the gaps, and the function of the object itself. It is necessary, therefore, to treat each work of art on an individual basis. Rigorous and strict rules cannot be observed in reconstruction owing to the unique and individual nature of every object. This means that the supplementation of gaps and reconstruction are not chosen without complete justification. They also cannot be performed according to the individual creative conceptions cherished by the conservator. General principles, applicable to all mobile monuments, recommend the treatment of the artwork as a document, and its reconstruction only in highly justified situations, without falsification of the original, and as reversibly as possible, without inflicting harm upon the monument.

Keywords

Year

Issue

3

Pages

223-225

Physical description

Dates

published
1993

Contributors

References

  • H. Althofer, Die Retusche in der Gemalderestaurierung, „Biuletyn Informacyjny ZPAP”, 1964, l6, ss. 11-13
  • H. Kuhn, Erhaltung und Pflege von Kunstwerken und Antiquitaten, Munchen 1981, t. 2.
  • R. Lehmann, Erganzungen an einer Agyptischen Bronzeplastik [w:] 2nd International Restorer Seminar, Budapest 1979, ss. 245-254.
  • R. H. Marijnissen, Degradation, conservation et restauration de l’oeuvre d ’art, Bruxelles 1967.
  • A. i P. Philippot, Le probleme de l'integration des lacunes dans la restauration des peintures. „Bulletin de l’Institut Royal du Patrimoine Artistique” 1954, nr 2, ss. 5-19.
  • L. Ritterpusch, Siegel und ihre Restaurierung. „Maltechnik-Restauro” 89, 1983, nr 1, ss. 55-60.
  • H. Ruhemann, The Cleaning o f Paintings, London 19б8.
  • W. Ślesiński, Konserwacja zabytkow sztuki. Rzeźba, Warszawa 1990.
  • W. Ślesiński, Konserwacja zabytkow sztuki. Malarstwo sztalugowe i ścienne, Warszawa 1989.
  • R. Wihr, Restaurieren von Steindenkmalern, Munchen 1980.

Document Type

Publication order reference

Identifiers

ISSN
0029-8247

YADDA identifier

bwmeta1.element.desklight-66de29bf-d69e-4f24-9e7f-c6a7aa6d66cc
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