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2012 | 15 | 1 | 200-211

Article title

Muzyczne wyzwolenie z języka? Filozoficzne aspekty muzycznych inspiracji w poezji Mirona Białoszewskiego

Content

Title variants

EN
Music as the liberation from language? Philosophical aspects of musical inspiration in Miron Białoszewski's poetry

Languages of publication

PL EN

Abstracts

EN
Miron Bialoszewski is known for his untypical and idiosyncratic language of his poetry, as well as prose and drama that he has created. However, it is possible to find many connections between those linguistic experiments and the strategies used by polish avant-garde poets during the interwar years. It makes the works of Bialoszewski both innovative and dependent on the history of literature. Through the analysis of his specif-ic language and the content of his poetry, as well as the comparison to the works and statements of the polish avant-garde representatives, author of this paper tries to recre-ate the philosophical backgroud of Bialoszewski's poems and explain how is the concept of music present in them. The article is divided into two main parts. The first main prob-lem is a question about the philosophical condition of the language that we can encoun-ter in this poetry — are we free in using our language or maybe we are limited by the word? The negative response to the first question leads to the necessity of possible solu-tions. Here music appears. It seems to be for Bialoszewski as the possibility of escaping from the limitations of the language. At the same time, music in his poetry is a new way of describing the world and a form of expressing ones thoughts.

Contributors

  • studentka Kolegium Międzywydziałowych Indywidualnych Studiów Humanistycznych Uniwersytetu Warszawskiego, absolwentka studiów magisterskich Instytutu Kultury Polskiej na Wydziale Polonistyki UW

References

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.desklight-68547149-0a05-4134-aa72-bd29082c2e19
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