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2013 | 62 | 2(246) | 19-37

Article title

Między dramatem a widowiskiem. Nie tylko Juliana Lewańskiego zmagania z teatralnością

Authors

Selected contents from this journal

Title variants

EN
Between Drama and Spectacle. Julian Lewański’s, and Not only His, Struggles with Theatricality

Languages of publication

Abstracts

EN
The text constitutes an attempt at looking at Julian Lewański’s “Dramat i teatr średniowiecza i renesansu w Polsce” from the perspective of historiography’s entanglement in categories contemporary to the historian. Thus, it addresses the question of whether it is justified to apply terms like “theatre” or “drama,” as well as the criteria of artistry or work of art, to Renaissance and especially medieval culture. I try toshow that there is, indeed, some correlation between what Lewański was writing about and what theatre he had been watching and that it coloured the glasses through which he viewed the reality of spectacles in medieval and Renaissance Poland. I also try to show how the conceptual framework of literary criticism determined the image of theatricality emerging from the book. Finally, I try to put Julian Lewański’s research practice in a broader perspective of twentieth-century medieval theatre studies. As it happens, the history of research on spectacles of medieval Europe is a history of struggles with the theatre contemporary to the researchers, a history of how modern categories, e.g. drama or theatre, have been projected onto a completely different cultural formation.

Year

Volume

62

Issue

Pages

19-37

Physical description

Contributors

  • Uniwersytet Warszawski

References

  • M. Accarie, Teatr religijny i teatr świecki w średniowieczu. Próba klasyfikacji, przeł. J. Teklik, [w:] Zwierciadło świata. Średniowieczny teatr francuski, pod redakcją A. Loby, Gdańsk 2006.
  • P. Butterworth, Theatre of Fire. Special Effects in Early English and Scottish Theatre, Society for Theatre Research, London 1998.
  • P. Butterworth, Magic on the Early English Stage, Cambridge University Press, Cambridge – New York 2005.
  • G. Cohen, Études d’histoire du théâtre en France au Moyen-âge et à la Renaissance, Gallimard, Paris 1956.
  • G. Cohen, Histoire de la mise en scène dans le théâtre religieux français du moyen âges, Librairie Honoré Champion, Paris 1926.
  • J. Lewański, Dramat i teatr średniowiecza i renesansu w Polsce, Warszawa 1981.
  • J. Lewański, W teatrach staropolskich, [w:] Dramaty staropolskie, oprac. J. Lewański, Warszawa 1959.
  • E. Prosser, Drama and Religion in the English Mystery Plays. A Re-evaluation, Stanford University Press, Stanford 1960.
  • F. M. Salter, Medieval Drama in Chester, University of Toronto Press, Toronto 1955.
  • R. Southern, The Medieval Theatre in the Round: A Study of the Staging of The Castle of Perseverance, and Related Matters, Faber & Faber, London 1957.
  • G. Wickham, Early English Stages: 1300–1660, Routledge and Kegan Paul, Columbia University Press, London, New York 1959, t. 3.
  • R. Woolf, The English Mystery Plays, Routledge and Kegan Paul, London 1972.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.desklight-6a8715ab-e73b-44ec-a843-026ecea924e1
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