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2018 | 13 | 87-95

Article title

Guerrilla Girls: Invisible Sex in the Field of Art

Content

Title variants

Languages of publication

EN

Abstracts

EN
The article focuses on an artist and activist collective Guerrilla Girls, created in 1985 in order to fight discrimination in the art field. It presents the group’s strategies, using selected actions as examples. The article is also a critical analysis of the collective’s achievements in the context of feminist theories, especially one concerning the relations between feminism and issues of race and ethnicity. The author is also interested in the connections between members of the group and the art system, as well as questions on sexism in the contemporary art field, after 30 years of Guerrilla Girls’ existence.

Contributors

References

  • 1. Block R., Nollert A. (Ed.). (2005). Collective Creativity. Frankfurt am Main: Revolver.
  • 2. Bowles J., Thomas A. (2008). Oral history interview with Guerrilla Girls Jane Bowles and Alma Thomas, 2008 May 8. Retrieved from: https:⫽www.aaa.si.edu/collections/interviews/oral-history-interview-guerrilla-girls-jane-bowles-and-alma-thomas-15838#transcript (26.05.2018).
  • 3. Des Cars L. (2018). A Woman Who Is a Rare Find Among Museum Leader. Interview by Farah Nayeri. Retrieved from: https:⫽www.nytimes.com/2018/03/07/arts/laurence-des-cars-paris-museums-orsay orangerie.html (25.06.2018).
  • 4. Chave A. (2011). The Guerrilla Girls’ Reckoning. In: Art Journal. Vol. 1, pp. 102–111.
  • 5. Christov-Bakargiev C. (2018). Women in the Arts: Carolyn Christov-Bakargiev. Interview by Jennifer Higgie. Retrieved from: https:⫽frieze.com/article/women-arts-carolyn-christov-bakargiev. (25.06.2018).
  • 6. Crenshaw K.W. (1989). Demarginalizing the Intersection of Race and Sex: A Black Feminist Critique of Antidiscrimination Doctrine, Feminist Theory, and Antiracist Politics. In:University of Chicago Legal Forum, vol.1989, Iss.1, Article 8, pp. 139–167.
  • 7. Demo A.T. (2000). The Guerrilla Girls’ Comic Politics of Subversion. In: Women’s Studies in Communication, vol. 23, pp. 132–156.
  • 8. Eddo-Lodge R. (2018). Dlaczego nie rozmawiam już z białymi o kolorze skóry. Kraków: Karakter.
  • 9. Gablik S. (1994). “We Spell It Like the Freedom Fighters”: A Conversation with the Guerrilla Girls, In: Art in America, vol. 82.1. pp. 43–47.
  • 10. Graff A. (2005). Trzecia fala feminizmu. Retrieved from: http:⫽www.wysokieobcasy.pl/wysokie-obcasy/1,96856,2715339.html. (05.06.2018).
  • 11. hooks b. (2000). Feminist Theory: From Margin to Center. Cambridge, MA: South End Press.
  • 12. Hurston Z.N., Martin A. (2008). Oral History Interview with Guerrilla Girls Zora Neale Hurston and Agnes Martin, 2008 May 17. Retrieved from: https:⫽www.aaa.si.edu/collections/interviews/oral-history-interview guerrilla-girls-zora-neale-hurston-and-agnes-martin-15840#transcript (26.05.2018).
  • 13. Kollwitz K. (2017). Käthe Kollwitz, Founding Member of the Guerrilla Girls by Rachel Leibrock. Retrieved from: https:⫽www.newsreview.com/sacramento/k-auml-the-kollwitz-founding-member of/content?oid=25108670 (5.06.2018).
  • 14. Nochlin L. (1971). Why Have There Been No Great Women Artists. In: ARTnews. January, pp. 22–39.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.desklight-6f42c356-4d22-475e-accb-a919957fc78d
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