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2010 | 1(5) | 165-176

Article title

Nowi Londyńczycy. Polscy emigranci na dużym (i małym) ekranie

Content

Title variants

EN
New Londoners. Polish Immigrants on the Silver (and TV) Screen

Languages of publication

Abstracts

EN
The article focuses on growing presence of Polish labour immigrants in contemporary European cinema and TV fiction. Striking differences are observed between pre¬ 1989 and post¬ 1989 productions on the subject of labour migration. Whereas older films tend to depict Polish job¬ seekers as unfortunate troublemakers, films set in the post¬ communist period seem to convey increased social interaction between newcomers and local people which need not be hostile. This is usually represented by a motif of an interethnic love story. As such, recent European productions depart from the traditional portrayal of immi-grants in post¬ war Polish film “as an anomaly from the norm and a problem for which somebody is to blame,” as Ewa Mazierska puts it (2009; 123). Similarly, post¬ 1989 represen-tations of Polish labour migrants in European cinema differ significantly from the image created in recent Polish drama series Londyńczycy (Londoners, 2008–2009) where stress is laid on the strong cohesive spirit within the Polish migrant community rather than the motif of a (happy) interethnic romance.

Year

Issue

Pages

165-176

Physical description

Contributors

  • Instytut Slawistyki, Uniwersytet Katolicki w Leuven, Belgia

References

  • Andres Z., Wolski J., red., 2003, Literatura utracona, poszukiwana czy odzyskana. Wokół problemów emigracji, Rzeszów.
  • Bukowczyk J., 2002, The Big Lebowski Goes to the Polish Wedding: Polish Americans – Hollywood Style, „Polish Review”, nr 2, 211–229.
  • Burrell K., red., 2009, Polish Migration to the UK in the ‘New’ European Union, Farnham.
  • Clarke D., 2005, Going West: Migration and the Post¬ Communist World in Recent European Film, „Cultural Politics”, nr 3, s. 279–294.
  • Golab C., 1980, Stellaaaaaa……!!!!!!!!: The Slavic Stereotype in American Film, w: Miller R., red., The Kaleidoscopic Lens: How Hollywood Views Ethnic Groups, Englewood, s. 135–155.
  • Goshka D., 2006, The Bohunk in American Cinema, „Journal of Popular Culture”, nr 3, s. 407–429.
  • Jaźwińska E., Okólski M., red., 2001, Ludzie na huśtawce. Migracje między peryferiami Polski i Zachodu, Warszawa.
  • Loshitzky Y., 2006, Journeys of Hope to Fortress Europe, „Third Text”, nr 6, s. 745–754.
  • Mazierska E., 2009, In Search of Freedom, Bread and Self¬ fulfilment: A Short History of Polish Emi-grants in Fictional Film”, w: Burrell K., red., Polish Migration to the UK in the ‘New’ European Union, Farnham, s. 107–125.
  • Stephan H., red., 2003, Living in Translation: Polish Writers in America, New York.
  • Suder D., 2003, Obraz Polaków na emigracji w twórczości polskich reżyserów w latach 1977–2002, Kraków (nieopublikowana praca magisterska).
  • Van Heuckelom K., 2010, Polish (Im)Potence. Shifting Representations of Polish Labour Migration in Contemporary European Cinema, w: Uffelmann D., Rostek J., red., Contemporary Polish Migrant Culture in Germany, Ireland, and the UK, Berlin (w druku).
  • Wtulich J., 1994, American Xenophobia and the Slav Immigrant. A Living Legacy of Mind and Spirit, New York.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.desklight-70c7c849-c56b-43f4-9c8c-b79b4ca0b213
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