Aksjologiczny wymiar kobiecości w poezji Stanisława Grochowiaka

• Authors: Pacion Mariusz

Title variants

EN

The axiological dimension of femininity in the poetry of Stanisław Grochowiak

• Languages of publication: PL

Abstracts

EN

The article raises the subject of female motive in Stanisław Grochowiak’s poetry. Female element in the work of the representative of 56 generation is marked positively – in contrast to masculine one. The poet’s high voluating of woman is closely connected with the war escalation in 20th century. According to Grochowiak, it proclaims that civilisation based on patriarchal system sufferd its defeat. The only hope for humanity resugrence is just related to a woman. The author says that she is the host of such values as love and wisedom – and her fertility and protectiveness are opposite to the death. The crisis of European civilisation caused by two world wars has its overtone in philosophic idea of Erich Fromm. He abstracted two tendencies in human’s behaviour: biophilotic - - directed at life and necrophilotic – aimed at death. Fromm similarly to Grochowiak found the reason for the twentieth-century hecatomb in human nature, in this what is typical of man and patriarchal society. Both Grochowiak’s and Fromm’s diagnoses are paralel but at the same time independent, that is why we can say that they are complementary to each other in seeking the explanation for traumatic war events and the hope for human’s future.

Keywords

EN

axiological dimension of feminity, female element, patricentric, biophilotic, necrophilotic.

• Publisher: Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
• Journal: Dydaktyka Polonistyczna
• Year: 2017
• Issue: 3(12)
• Pages: 84-97

Contributors

author

Pacion Mariusz

References

• Fromm E., Anatomia ludzkiej destrukcyjności, tłum. J. Karłowski, Poznań 2005.
• Fromm E., Ucieczka od wolności, tłum. A. Ziemiński, Warszawa 2007.
• Grochowiak S., Agresty, Warszawa 1963.
• Grochowiak S., Ballada rycerska, Warszawa 1956.
• Grochowiak S., Bilard, Warszawa 1987.
• Grochowiak S., Haiku-images, Warszawa 1978.
• Grochowiak S., Menuet z pogrzebaczem, Warszawa 1958.
• Hrdy S.B., Kobieta, której nigdy nie było, Warszawa 2005.

Identifiers

DOI

10.15584/dyd.pol.12.2017.6