PL EN


2014 | 9 | 280 - 303
Article title

The Body that “Melted into the Carpet”: Mortal Stains and Domestic Dissolution in Carol Morley’s Dreams of a Life

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EN
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9
Pages
280 - 303
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References
  • The Alcohol Years + Commentary + Shorts. Dir. Carol Morley. 2000. Film First, 2011. DVD.
  • ‘‘Alcohol Years + Q and A’’, BFI Live, http://www.bfi.org.uk/live/video/952. Accessed 14 March 2014.
  • Barker, Jennifer M. The Tactile Eye: Touch and the Cinematic Experience. Berkeley and Los Angeles: University of California Press, 2009.
  • Beattie, Keith. Documentary Screens: Non-Fiction Film and Television. Basingstoke and New York: Palgrave, MacMillan, 2004.
  • Berlant, Lauren. The Female Complaint: The Unfinished Business of Sentimentality in American Culture. Durham and London: Duke University Press, 2008.
  • Berlant, Lauren. Cruel Optimism. Durham and London: Duke University Press, 2011.
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  • Bois, Yve-Alain and Rosalind Krauss. Formless: A User’s Guide. New York: Zone Books, 1997.
  • Bradshaw, Nick. ‘‘Forget Me Not’’ (Interview with Carol Morley). Sight and Sound 22.1 (January 2012): 44-5.
  • Bressi, Anita and Heather Nunn. Reality TV: Realism and Revelation. London and New York: Wallflower Press, 2005.
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  • Bronfen, Elisabeth and Sarah Webster Goodwin. 1993. ‘Introduction’ in Death and Representation. Baltimore and London: Johns Hopkins University Press, pp. 3-28.
  • Bruzzi, Stella. New Documentary: A Critical Introduction. London and New York: Routledge, 2000.
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  • Cohen, William A. Filth: Dirt, Disgust and Modern Life. Minneapolis: University of Minnesota Press, 2005.
  • Cooper, Sarah. Selfless Cinema? Ethics and French Documentary. Legenda: London, 2006.
  • Creed, Barbara. ‘‘The End of the Everyday: Transformation, Sexuality and the Uncanny.’’ Continuum: Journal of Media and Cultural Studies 19.4 (2005): 482-94.
  • Doane, Mary Ann. Femme Fatales: Feminism, Film Theory, Psychoanalysis. New York: Routledge, 1991.
  • Douglas, Mary. Purity and Danger: An Analysis of the Concept of Pollution and Taboo. London and New York: Routledge, 2003 [1966].
  • Dreams of a Life. Dir. Carol Morley. 2011. Dogwoof, 2012. DVD.
  • Elsaesser, Thomas. ‘‘World Cinema: Realism, Evidence, Presence.’’ Realism and Audiovisual Media. Eds. Lúcia Nagib and Cecília Mello. Basingstoke: Palgrave MacMillan, 2009. 3-19.
  • Eng, David L. and David Kazanjian. ‘‘Introduction: Mourning Remains.’’ Loss: The Politics of Mourning. Eds. David L. Eng and David Kazanjian. London: University of California Press, 2003.
  • Fine, Gary Alan and Tim Hallett. ‘‘Dust: A Study in Sociological Minutarism.’’ The Sociological Quarterly 44.1 (2003): 1-15.
  • Freud, Sigmund. ‘‘Totem and Taboo: Some Correspondences between the Psychical Lines of Savages and Neurotics.’’ On Murder, Mourning and Melancholia. London: Penguin Books, 2005 [1940]. 1-166
  • Kilborn, Richard. Staging the Real: Factual TV Programming in the Age of Big Brother. Manchester and New York: Manchester University Press, 2003.
  • Kristeva, Julia. Powers of Horror: An Essay on Abjection, trans. Leon S. Roudiez. New York: Columbia University Press, 1982.
  • Longhurst, Robyn. Bodies: Exploring Fluid Boundaries. London and New York: Routledge, 2001.
  • McNulty, Bernadette. ‘‘Dreams of a Life: Interview with Director Carol Morley.’’ The Telegraph 16 Dec 2011.
  • McRobbie, Angela. The Aftermath of Feminism: Gender, Culture and Society. London: Sage, 2009.
  • Marks, Laura U. The Skin of the Film: Intercultural Cinema, Embodiment and the Senses. Durham and London: Duke University Press, 2000.
  • Morgan, Abi. ‘‘Bafta TV Special/Abi Morgan. A Golden Year for Television.’’ The Observer, 20 May 2012.
  • Morley, Carol. ‘‘Joyce Carol Vincent: How Could This Young Woman Lie Dead and Undiscovered for Almost Three Years.’’ The Guardian 9 Oct 2011.
  • Morley, Carol and Kevin MaDonald.. ‘‘When Carol met Kevin’’. Dreams of a Life. Dir. Carol Morley. 2011. Dogwoof, 2012. DVD.
  • Mulvey, Laura. Death 24x A Second: Stillness and the Moving Image. London: Reaktion Books, 2006.
  • Ott, Brian L. ‘‘Television as Lover, Part I: Writing Dirty Theory.’’ Cultural Studies: Critical Methodologies 7.1 (2007): 26-47.
  • Ott, Brian L. ‘‘Television as Lover, Part II: Doing Auto[Erotic]Ethnography’’. Cultural Studies: Critical Methodologies 7 (2007): 294-307.
  • Phillips, Adam. Missing Out: In Praise of the Unlived Life. London: Penguin, 2013.
  • Quinlivan, Davina. ‘‘Breath Control: The Sound and Sight of Respiration as Hyperrealist Corporeality in Breaking the Waves’’. Realism and Audiovisual Media. Eds. Lúcia Nagib and Cecília Mello. Basingstoke: Palgrave MacMillan, 2009. 152-63.
  • Ravetto, Kriss. The Unmaking of Fascist Aesthetics. Minneapolis: University of Minnesota Press, 2001.
  • Ross, Christine. The Aesthetics of Disengagement: Contemporary Art and Depression. Minneapolis: University of Minnesota Press, 2006.
  • Simpson, Ruth et al. Dirty Work: Concepts and Identities. Basingstoke: Palgrave MacMillan, 2012.
  • Skeggs, Beverley. Formations of Class and Gender: Becoming Respectable. London, Thousand Oaks and New Delhi: SAGE publications, 1997.
  • Trotter, David. Cooking with Mud: The Idea of Mess in Nineteenth-Century Art and Fiction. Oxford: Oxford University Press, 2000.
  • Vachhani, Sheena J. ‘‘Stains, Staining and the Ethics of Dirty Work.’’ Dirty Work: Concepts and Identities. Eds. Ruth Simpson et al. Basingstoke: Palgrave MacMillan, 2012. 33-48.
  • Walkerdine, Valerie. ‘‘Shame on You! Intergenerational Trauma and Working-Class Femininity on Reality Television.’’ Reality Television and Class. Eds. Helen Wood and Bev Skeggs. London: British Film Institute, 2012. 225-36.
  • West, Amy. ‘‘Reality Television and the Power of Dirt: Metaphor and Matter.’’ Screen 52. 1 (2011): 63-77.
  • Whittaker, Tom. ‘‘Between the Dirty and the Pretty: Bodies in Utopia in Dirty Pretty Things.’’ International Journal of Cultural Studies 14. 2 (2011): 121-32.
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bwmeta1.element.desklight-7427e0e5-14c8-4a7e-a1da-3b2eebf94091
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