PL EN


Journal
2012 | 2 | 173-183
Article title

Fazy twórczości Henryka Hubertusa Jabłońskiego — propozycja klasyfikacji

Authors
Content
Title variants
EN
Creative Phases of Henryk Hubertus Jabłoński — classifi cation proposal
Languages of publication
PL
Abstracts
EN
The article is an attempt to divide Jabłoński’s output into phases according to Mieczysław Tomaszewski’s concept. In line with the assumptions of this concept, in the composer’s biography there are turning points and a return that defi ne his creative path. General characteristics of Jabłoński’s creative path can be divided into three phases. Stylistic caesurae of the phases become essential in pointing out the pivotal moments that defi ne the course of evolution of Jabłoński’s oeuvre. The path leads from the infl uence of neoclassical aesthetics in his early works, through the experience of aleatoric and sonoristic techniques of controlling the musical material, up to simplifi ed textures and stylistic features revolving around the sérénité climate. In the phases of the evolution of Jabłoński’s output presented here, specifi c features of his musical language are pointed out. These are connected with his individualistic approach to the issue of tonality. The composer developed and enriched his musical language, but only with such elements of new techniques that did not disturb the creative path he had taken earlier. His attempts to merge traditional forms with 20th-century compositional techniques only served the purpose of fi nding new timbres and sound qualities. The author of the article emphasises the importance of the melodic element in Jabłoński’s works, where expressivity and emotion are anchored in the expression of the romantic spirit of beauty.
Contributors
author
  • Uniwersytet Muzyczny Fryderyka Chopina
References
  • Anczykowska-Wysocka Wiesława, ,,Jabłoński Henryk Hubertus”, hasło w: Kompozytorzy polscy 1918–2000, t. II. Biogramy, red. Marek Podhajski, Gdańsk–Warszawa 2005, s. 328–330.
  • Helman Zofia, Neoklasycyzm w muzyce polskiej XX wieku, Kraków 1985.
  • Jarzębska Alicja, Z dziejów myśli o muzyce. Wybrane zagadnienia teorii i analizy tonalnej i posttonalnej, Kraków 2002.
  • Łukaszewski Marcin Tadeusz, Muzyka chóralna o tematyce religijnej kompozytorów warszawskich 1945–2000, Lublin 2007.
  • Obniska Wanda, Henryk Jabłoński, w: Kompozytorzy gdańscy. Szkice pod redakcją Janusza Krassowskiego, Gdańsk 1980, s. 120–121.
  • Szulakowska-Kulawik Jolanta, Idiom sérénité — przybliżenie i muzyczna eksplikacja. Część II Sacrum i profanum, http://www.sbc.org.pl/libra/docmetadata?id=10775&from=publication (dostęp: 25.05.2012).
  • Tomaszewski Mieczysław, Muzyka Chopina na nowo odczytana. Studia i interpretacje, Kraków 1996.
  • Tomaszewski Mieczysław, Muzyka w dialogu ze słowem. Próby, szkice, interpretacje, Kraków 2003.
Document Type
Publication order reference
Identifiers
YADDA identifier
bwmeta1.element.desklight-77732d55-07e7-4726-859c-bf8189876313
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