PL EN


2009 | 15-16 | 64-87
Article title

„Herbarium czystych zewnętrzności”: Siegfried Kracauer, Busby Berkeley, Sherrie Levine

Content
Title variants
EN
„Herbarium of Pure Surface-Level Manifestations”: Siegfried Kracauer, Burby Berkley, Shevrie Levine
Languages of publication
PL
Abstracts
EN
For Kracauer, the regular abstract patterns viewed in the gymnastic stadiums and in the musical revues presented an analogy with modern life and technological Ratio. Ornament is a place of their meeting and mutual transformation, and thus the crucial point, which decides the future of the modernity project. Busby Berkeley’s choreography during the New Deal period is an extension of this phenomenon. In Gold Diggers of 1933 and Footlight Parade aesthetics of Fordism intercrosses with the Pythagorean and Renaissance Neo-platonic vision of an orderly and purposive cosmos, in which Eros is a kind of coordinating and organizing force (both in a cosmological and social way). Sherrie Levine’s work, which is a postmodern appropriation of Berkeley’s trademark, follows a similar method to undermine the distinction between individual creativity and well-regulated collective, between modern art and industrial production.
Year
Issue
Pages
64-87
Physical description
Dates
published
2008–2009
Contributors
  • Uniwersytet Łódzki
  • Uniwersytet Łódzki
References
Document Type
Publication order reference
Identifiers
ISSN
1643-1243
YADDA identifier
bwmeta1.element.desklight-784b775e-7308-4fcb-a411-7e746b946739
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.