A COGNITIVE-CONCEPTUAL MAPPING OF THE HUMAN ELEMENT IN ORTEGA Y GASSET´S ESSAY LA DESHUMANIZACIÓN DEL ARTE (1925). TOWARDS A BIOPOETIC APPROACH

• Authors: Guerra Juani , Góral Michał
• Languages of publication: EN

Abstracts

EN

The aim of this paper is to map cognitive dynamics of meaning construction in Spanish language as articulated in Ortega y Gasset’s philosophical essay La deshumanización del arte / The Dehumanization of Art [1925]. We will focus on how the human element is conceptualized, i.e., created and understood by the author. Our method is based on the application of cognitive models of conceptual analysis found in Cognitive Linguistics known as Idealized Cognitive Models – ICMs [Lakoff & Johnson 1980] like Image Schema, Metaphor, Metonymy, and their developments as conceptual blends in Conceptual Integration Theory – CIT [Fauconnier & Turner 2002]. The high philosophical complexity of this text’s nuclear conceptual structure HUMAN and DEHUMANIZATION makes it necessary to initially map them from theoretically established cognitive approaches to language organization. In this paper we develop such analysis as groundwork for a subsequent study involving a more dynamicist view of their emergent meanings in the framework of Biopoetics [Guerra 2013, 2016].

Keywords

EN

Dehumanization; Art; Ortega y Gasset; Biopoetics; Neural Theory of Language (NTL); Conceptual Metaphor Theory (CMT); Conceptual Integration Theory (CIT)

• Publisher: Uniwersytet Warmińsko-Mazurski w Olsztynie
• Journal: Acta Neophilologica
• Year: 2017
• Volume: XIX/1
• Pages: 245-255

Dates

published

2017-06-01

Contributors

author

Guerra Juani

• Institute of Biomedical and Health Sciences (IUIBS), Universidad de Las Palmas de Gran Canaria

author

Góral Michał

• Institute of Biomedical and Health Sciences (IUIBS), Universidad de Las Palmas de Gran Canaria

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