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2019 | 7 | 1 | 163-186

Article title

Men as Puns in the feminist African novel

Title variants

Languages of publication

Abstracts

EN
The dominant hierarchy upon which the order of existence is predetermined has placed the man at the centre of creation; which is also substantiated by cultural norms that prioritized generic divides. The principles of feminism have been created to alter patriarchal hegemony in order to reconstruct the distorted female self of an egalitarian society. However, in an attempt to reconstruct these misconceptions upheld by patriarchy, most feminist texts and criticisms have denied the woman the agency of freewill and independent choices, except the continuous emphasis on feminist objectification that patriarchy seem to propagate. It is against this backdrop, that this paper interrogates the subjugation of the woman by her fellow woman and to outline a model of feminist liberation. This is consequent upon the fact that even at the disruption of patriarchy, some feminist scholars have failed to account for the role of women in using men as puns in the subjugation of their fellow women in the African novel. Consequently, this paper replicates Chinweizu’s Masculinist Dissection of Matriarchy and uses feminist-deconstruction to interrogate Ama Ata Aidoo’s Changes and Nawal El Saadawi’s A Woman at point Zero. To this effect, it submits that women are stakeholders in the structure of matriarchy and the substructure of patriarchy and men are mere puns in the structure of matriarchal subjugation of their fellow woman. The concept of pun(s) which is play on word is used in its expounded form on how women manipulate men physically and psychologically for their economic and political gains.

Keywords

EN

Year

Volume

7

Issue

1

Pages

163-186

Physical description

Document type

Original Article

Dates

published
2019-06-30

Contributors

  • University of Calabar
  • University of Lagos,

References

  • Aidoo, A.A (1991) Changes. England: Heinemann.
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  • Writers’. Portrayal of the Female Characters. International Journal of Humanities and Social Science, 4 (4), 112.
  • Bressler, C.E. (1999). Literary Criticism: An Introduction to theory and Practice. New Jersey: Prentice Hall.
  • Chinweizu. (1990). Anatomy of Female Power: A Masculinist Dissection of Matriarchy. Lagos, Nigeria: Pero Press.
  • Clemence, R. & Jairos, G. (2011). The third sex: A paradox of patriarchal oppression of the weaker man. Journal of English and Literature, 2(3), 60-67.
  • Etim, S. O. & Ebele E. E. (2009). New Writing Back and The Reimaging of the Woman in the Novels of Zainab
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  • Habiba, U., Ali, R. & Ashfaq, A. (2016). From Patriarchy to Neopatriarchy: Experiences of Women from Pakistan. International Journal of Humanities and Social Science 6 (3).
  • Hooks, B. (2000). Feminism is for everybody: passionate politics. Canada: South End Press.
  • Lodge, D. (1988). Modern Criticism and Theory: A Reader. London: Longman.
  • Ozumba, G.O. (2003). A Philosophical Groundwork towards a Feminist Consciousness. Journal of Liberal Studies: An interdisciplinary Journal. (5), 1-13.
  • Okereke, G. E. (2009). Gender Politics and the Independent Woman in Buchi Emecheta’s Double Yoke. Journal English and Literary Studies Students’ Association (The Quill), University of Calabar, Calabar.
  • Ottoh, B. & Lorfaga. A. J. (2009). Feminism Vs Patriarchism: A Philosophical Appraisal From A Complementary Approach. Journal English and Literary Studies Students’ Association, University of Calabar, Calabar, 4 (1), 15-23.
  • Saadawi, EL. N (2007) Woman at Point Zero. London: Zed Books.
  • Simon, E. D. & Obeten, M.I. (2013). Impact of Pan-Africanism on African Feminism: A Study of Buchi Emecheta’s Destination Biafra. International Journal of Humanities and Social Science, 3 (8), 202.
  • Tyagi, R. (2014). Understanding Postcolonial Feminism in relation with Postcolonial and Feminist Theories. International Journal of Language and Linguistics, 1 (2).
  • Obuta, S. A. (2011). “Contextual Relevance of Characters in Zainab Alkali’s The Stillborn”. Currents in African Literature and the English Language (CALEL). 7, (2), 28-39.

Notes

EN

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.desklight-8c732247-31e0-44b9-9476-046c8fce7b3c
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