Художественно-эстетическая специфика использования фортепиано в акустическом пространстве киномузыки Джо Хисаиши

• Authors: Zaytseva Marina , Titova Tatiana

Title variants

EN

Artistic and Aesthetic Specifics of Using the Piano in the Acoustic Space of Joe Hisaishi Film Music

• Languages of publication: RU

Abstracts

RU

В статье обосновывается проблематика функционирования музыки в системе медиатекста, анализируются этапы творческого сотрудничества композитора Джо Хисаиши и режиссера Хаяо Миядзаки в процессе создания анимационных фильмов, освещаются важнейшие события биографии этих мастеров. На примере анимационного фильма «Унесенные призраками» (2001) выявлены особенности взаимодействия музыкального, речевого и видео рядов в определена роль фортепиано в акустическом пространстве киномузыки Джо Хисаиши.

EN

The article explains the problems of music functioning in the media text system, analyzes the stages of the creative collaboration of composer Joe Hisaishi and director Hayao Miyazaki in the creation of animated films, highlights the most important events in the biography of artists. On the example of the animated film "Spirited Away" (2001), the peculiarities of interaction of music, voice and video in the series are revealed, the role of the piano in the acoustic space of film music by Joe Hisaishi is defined.

Keywords

RU

киномузыка; анимационный фильм «Унесенные призраками»; Джо Хисаиши; Хаяо Миядзаки

EN

film music; animated film "Spirited Away"; Joe Hisaishi; Hayao Miyazaki

• Publisher: Altezoro s.r.o. (Slovak Republic) and Publishing Center "Dialog" (Ukraine)
• Journal: Path of Science
• Year: 2016
• Volume: 2
• Issue: 12(17)
• Pages: 7.1-7.12

Dates

published

2016-12-21

Contributors

author

Zaytseva Marina

• Maimonides Academy of Moscow State University of Design and Technology

author

Titova Tatiana

• Maimonides Academy of Moscow State University of Design and Technology

References

• Lotman, M. Ju. (1973). Semiotika kino i problemy kinojestetiki [The semiotics of cinema and problems kinoestetiki]. Tallin: Jejesti Raamat (in Russian).
• Jejzenshtejn, S. M. (1997). Istinnye puti izobretanija. Profili [The true path of the invention. profiles]. Moscow: Redakcija gazety «Trud», Muzej kino (in Russian).
• Kagan, M. S. (2008). Trudy po problemam teorii kul'tury [on the problems of the theory of culture Proceedings] (Vol. 3). Saint-Petersburg: Petropolis (in Russian).
• Kalinina, E. A. (2010). Muzyka v tvorchestve Ingmara Bergmana [Music in the works of Ingmar Bergman] (Doctoral thesis). Moscow: Moskovskaja gosudarstvennaja konservatorija imeni P. I. Chajkovskogo (in Russian).
• Zajceva, M. L. (2016). Traktovka muzyki oratorii «Strasti po Matfeju» mitropolita Ilariona (Alfeeva) v fil'me Pavla Semenovicha Lungina «Dirizher» [Interpretation of the oratorio music "St. Matthew Passion" by the Metropolitan Hilarion (Alfeev) in Pavel Semenovich Lungin's film "The Conductor"]. Path of Science, 7, 4.1–4.18 (in Russian).
• Shak, T. F. (2010). Muzyka v strukture mediateksta (na materiale hudozhestvennogo i animacionnogo kino) [Music in the structure of media text (on the material of the artistic and animated films)] (Doctoral thesis). Krasnodar: Rost. gos. konservatorija im. S. V. Rahmaninova (in Russian).
• Jampol'skij, M. B. (1988). Mifologija zvuchashhego mira i kinematograf [Mythology sounding peace and cinema]. Kinovedcheskie zapiski, 1, 107–114 (in Russian).
• Berkova, N. N. (2001). Istorija animacionnogo iskusstva [The history of animation art]. Alma-Aty: Almaty (in Russian).
• Ivanov-Vano, I. P. (1980). Kadr za kadrom [Frame by frame]. Moscow: Iskusstvo (in Russian).
• Hajao Mijadzaki. (2008). Kratkaja biografija Hajao Mijadzaki [Brief Biography Hayao Miyazaki]. Retrieved November 30, 2016, http://miyazaki.otaku.ru/biorev/bio.htm (in Russian).
• Panasjan, S. (2012). Kak «Snezhnaja koroleva» spasla japonskogo volshebnika [As the "Snow Queen" has saved the Japanese wizard]. Chudesa prikljuchenij, 2, 94–95 (in Russian).
• Wikipedia. (2016). Hisaishi Dzho. Biografija kompozitora [Joe Hisaishi]. Retrieved November 30, 2016, https://goo.gl/89FNxc (in Russian).
• Gvon, Gjun Gzha (2005). Hudozhestvenno-jesteticheskaja specifika zvuka v animacionnom kino [Artistic and aesthetic specifics of sound in the animated movie] (Doctoral dissertation). Moscow: Vserossijskij gosudarstvennyj institut kinematografii im. S. A. Gerasimova (in Russian).

Identifiers

DOI

10.22178/pos.17-11