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2010 | 1(15) | 30-42

Article title

Historia sztuki w dobie rewolucji informatycznej i globalizacji.

Content

Title variants

EN
History of art in the age of information technology revolution and globalisation.

Languages of publication

PL

Abstracts

EN
The article is a slightly altered version of an inauguration lecture presented at the 4th Central European Forum of Doctoral Students of Art History ‘Art History in the Age of Globalisation’, which took place in Wrocław on 5-8 November 2008 thanks to the efforts of the Institute of Art History at the University of Wrocław and Doctoral Students Council of the University of Wrocław. The starting point was the fruit of the 32nd Congress of the Comité International d’Histoire de l’Art (CIHA) entitled ‘Crossing Cultures: Conflict, Migration and Convergence’, which was held on 13-18 January 2008 at the University of Melbourne. In the author’s opinion the congress was of an exceptional significance: firstly, it was carried on in Australia, on the continent latest included in ‘global’ cultural communication, secondly, for the first time the ‘global’ dimension of history of art was stressed so strongly. This discipline is practised nowadays all over the world, moreover it improves making use of modern methods of gathering knowledge and rendering it accessible. What it is all about is to break down ethnical, political or religious prejudices, still present here and there, with the aim of these new information tools to build up gradually the truly all-human, ‘global’ history of art.

Keywords

PL

Year

Issue

Pages

30-42

Physical description

artukuł

Dates

published
2010

References

  • J. Onians, Neuroarthistory as World Art History: Why Do Humans Make Art and Why Do They Make It Differently in Different Times and Places?, [w:] Cros- sing Cultures..., op. cit.
  • J. Purtle, Objects without Borders. Cultural Economy and the World of Arte- facts, [w:] ibidem
  • M. Wisłocki, Houses of God, Gates of Heaven, Doors of Grace: Chan- ges in Perception of Lutheran Church Interiors as ‘Holy Places’, [w:] ibidem
  • A. Lipińska, Alabastrum Effoditur Pulcherrimum and Candissimum. The Influence of Imported Southern Netherlandish Sculpture on the Reception of Alabaster in Central Europe in the Sixteenth Century, [w:] ibidem
  • A. Seidel-Grzesińska, K. Stanicka- Brzezicka, (Cyfrowe spotkania z zabytkami, t. 1) Wrocław 2008
  • A. Seidel-Grzesińska, K. Stanicka- Brzezicka, (Cyfrowe spotkania z zabytkami, t. 2), Wrocław 2009
  • Copenhagen As It Was in 1796, red. M. Floryan, Copenhagen 1996
  • D. Norman, Painting in Late Medieval and Renaissance Siena (1260- 1550), New Haven 2003
  • D. Chelazzi Dini, A. Angelini, B. Sani, Five Centuries of Sienese Painting. From Duccio to the Birth of the Baroque, London 1998
  • M. Deiters, Kunst um 1400 im Erzstift Magdeburg. Studien zur Rekonstruktion eines verlorenen Zentrums, Berlin 2006
  • G. German, Gothic Revival in Europe and Britain: Sources, Influences and Ideas, London 1972
  • E. M. Seng, Der evangelische Kirchenbau im 19. Jahrhundert. Die Eisenacher Bewegung und der Architekt Christian Friedrich von Leins, Tübingen 1995
  • I. Lochhead, Remembering the Middle Ages. Responses to the Gothic Revival in Colonial New Zealand, [w:] Crossing Cultures..., op. cit.,

Notes

PL

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.desklight-93f89c5e-0ce9-49e8-bca7-72c9e535b54d
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