Farby i spoiwa malarskie używane do punktowania i rekonstrukcji malarstwa sztalugowego : część I

• Authors: Roznerska Maria

Title variants

EN

PAINTS AND PAINTERS’ BINDING AGENTS USED IN STIPPLING AND RECONSTRUCTION OF EASEL PAINTING

• Languages of publication: PL EN

Abstracts

EN

In 1975 there appeared ”A List of the Documentation and Mobile Monuments in Poland”, the first publication of this kind in Poland after the war. It came out as an edition of series В in ’’Library of Museology and Monuments Protection”. Apart from very important bibliographical data on structures themselves the publication, so valuable for conservators and restorers of paintings and polychromed sculptures, contains also much information on conservation, restoration of forks of art and mainly on materials used to this purpose. Therefore, in the course of time we shall be able to check their suitablity for conservation and restoration procedure. Thus, the materials are subject to verifications and improvements in conservation and restoration technique. The article presents an analysis of binding agents and paints used in the restoration of paintings and polychromed sculptures (up to 1975) for stippling and reconstructional purposes.

Keywords

PL

farby i spoiwa malarskie; rekonstrukcja malarstwa; punktowanie; wady farb olejnych; spoiwa farb; tempery

• Publisher: Narodowy Instytut Dziedzictwa
• Journal: Ochrona Zabytków
• Year: 1983
• Issue: 3-4
• Pages: 211-215

Dates

published

1983

Contributors

author

Roznerska Maria

• dr, Instytut Zabytkoznawstwa i Konserwatorstwa UMK w Toruniu

References

• Spis Dokumentacji Zabytkow Ruchomych, Biblioteka Muzealnictwa i Ochrony Zabytkow, ser. B, Ośrodek Dokumentacji Zabytkow, Warszawa 1975.
• F. Ke l l y , Restaurierung von Gemalden und Drucken. Ein Handbuch fur Restauratoren, Handler, Sammler und Liebhaber, Verlag Georg D. W. Callwey, Munchen 1973, s. 224 i 230.
• K. Wehlte, Werkstoffe und Techniken der Malerei, Otto Maier Verlag Ravensburg 1967, s. 493;
• Malen mit MS2A-Harz, „Maltechnik”, Technische Mitteilungen fur Malerei und Bildpflege, H. 2, 1971, s. 52;
• International centre for the study of the preservation and the restoration of cultural property, (w:) Work and publications synthetic materials used in the conservation of the cultural property, Rome Via Cavor, 1963, s. 24;
• Harzfarben — Das Pigment wird erst unmittelbar vor einer Verarbeitung auf der Palette mit einem Natur (Dammar-Mastix) oder Kunstharz AW2, MS2a gemischt.
• K. N i c o l a u s , Du Mounts, Handbuch der Gemaldekunde, „Material Technik”, Pflege, Koln 1979.

Identifiers

ISSN

0029-8247