Od upadku Muru Berlinskiego do pierwszego Pawilonu Romskiego na weneckim Biennale – od swiata Agnes Daroczi do swiata Daniela Bakera

• Authors: Acton Thomas

Title variants

EN

From the Fall of the Berlin Wall to the First Roma Pavillon at the Venice Biennale – from the World of Agnes Daroczi to the World of Daniel Baker (Katar e Berline Barrangesqo telipen zi ka jekhto Rromano Paviono and-i Biennala dr-i Venecia – katar e Agnes Daroczisqo sundal zi k-e Daniel Bakeresqo sundal)

• Languages of publication: PL

Abstracts

EN

The author presents the evolution of the attitude towards the art of Roma artists, who in the past were often perceived as representatives of a folk art, and who are now professional artists whose work often does not have any connection with the ethnicity of their authors. The author critically analyses the concept of authenticity in art by pointing out the presence of diverse aesthetic traditions in the works of Roma artists and concludes that the ethnicity of an artist is unimportant and the contemporary generation of Roma artists has escaped the stigma of an ethnic art.

Keywords

EN

Roma and Sinti; art; movement; politics; Agnes Daroczi; Daniel Baker; Berlin Wall

• Publisher: Muzeum Okregowe w Tarnowie, Tarnow, Poland; www.muzeum.tarnow.pl
• Journal: Studia Romologica
• Year: 2016
• Volume: 9
• Pages: 31-44

Dates

published

2016

Contributors

author

Acton Thomas

translator

Kapralski Slawomir

References

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