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2018 | 61 | 4(128) | 55-70

Article title

A Cognitive Poetic Approach to Paratext: Horace Walpole’s Prefaces to The Castle of Otranto. A Gothic Story

Content

Title variants

Languages of publication

EN PL

Abstracts

EN
Based on an analysis of two Prefaces to Horace Walpole’s The Castle of Otranto. A Gothic Story, the paper offers a cognitive poetics view of paratext, a literary device defined by Genette as “a threshold of interpretation”. Viewed as a symptom of the author’s presence “with-in” and “with-out” text, paratextual information is held to play an important role in text interpretation. It is claimed that a literary work’s interpretation is a result of the speaker/author – hearer/reader meaning negotiation which takes place in the Current Discourse Space (Langacker 2008) and involves intersubjectification, a cognitive process referred to by Langacker as “apprehension of other minds” (Langacker 2007).

Year

Volume

61

Issue

Pages

55-70

Physical description

Contributors

  • Instytut Anglistyki, Uniwersytet Marii Curie-Skłodowskiej

References

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  • Burke Seán (1992), The Death and Return of the Author. Criticism and Subjectivity in Barthes, Foucault and Derrida, Edinburgh UP, Edinburgh.
  • Burzyńska Anna (2006), Antyteoria literatury, Universitas, Kraków. Chatman Seymour (1989/1978), Story and Discourse. Narrative Structure in Fiction and Film, Cornell UP, Ithaca.
  • Claassen Eefje (2012), Author Representations in Literary Reading, John Benjamins, Amsterdam.
  • Fauconnier Gilles, Turner Mark (2002), The Way We Think. Conceptual Blending and the Mind’s Hidden Complexities, Basic Books, New York. Genette Gérard (1997/1987), Paratexts. Thresholds of Interpretation, trans. J.E. Lewin, Cambridge UP, Cambridge.
  • Głowiński Michał (1998), Gatunki literackie [in:] idem, Dzieło wobec odbiorcy. Szkice z komunikacji literackiej, Universitas, Kraków, pp. 43–62.
  • Groom Nick (2012), The Gothic. A Very Short Introduction, Oxford UP, Oxford.
  • — (2014), Introduction [in:] H. Walpole, The Castle of Otranto. A Gothic Story, Oxford UP, Oxford, pp. IX–XXXVIII.
  • Harris Robert (2000), Notes for “The Castle of Otranto” (1764), http://www.virtualsalt.com/lit/ otranto.htm [access: 14.01.2018].
  • Kardela Henryk, Kędra-Kardela Anna (2014), (Re)enter the Author: A Cognitive Analysis of Literary Communication [in:] eds. D. Babilas, A. Piskorska, P. Rutkowski, Face to Face, Page to Page. PASE Papers in Literature, Language and Culture, Uniwersytet Warszawski, Warszawa, pp. 439–452.
  • Kędra-Kardela Anna, A Cognitive Poetic Analysis of Paratexts. A Study of E. Bowen’s ‘Postscript by the Author’ to The Demon Lover and Other Stories [in print].
  • Langacker Ronald W. (2007), Constructing the Meanings of Personal Pronouns [in:] eds. G. Radden, K.-M. Koepcke, T. Berg, P. Siemund, Aspects of Meaning Construction, John Benjamins, Amsterdam, pp. 181–87.
  • — (2008), Cognitive Grammar. A Basic Introduction, Oxford UP, Oxford. Leitch Vincent B. (2010), American Literary Criticism since the 1930s. Second Edition, Routledge, New York. E-book.
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  • Macksey Richard (1997), Foreword [in:] G. Genette, Paratexts. Thresholds of Interpretation, trans. J.E. Lewin, Cambridge UP, Cambridge, pp. XI–XX.
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  • Rembowska-Płuciennik Magdalena (2009), Intersubiektywność i literatura, “Teksty Drugie”, nr 1–2, pp. 215–227.
  • — (2012), The Narrative Poetics of Mindreading [in:] ed. A. Kwiatkowska, Texts and Minds. Papers in Cognitive Poetics and Rhetoric, Peter Lang, Frankfurt am Main, pp. 57–69.
  • — (2012a), Poetyka intersubiektywności. Kognitywistyczna teoria narracji a proza XX wieku, Wydawnictwo UMK, Toruń.
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  • Zlatev Jordan, Racine Timothy P., Singha Chris, Itkonen Esa (2008), Intersubjectivity. What Makes Us Human? [in:] eds. J. Zlatev, T. P. Racine, Ch. Singha, E. Itkonen, The Shared Mind. Perspectives on Intersubjectivity, John Benjamins, Amsterdam, pp. 1–14.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.desklight-a045846a-a5ca-4205-ae5e-0195a1cd0ac3
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