PL EN


2010 | XII | 175-180
Article title

ИМПРЕССИОНИСТИЧЕСКОЕ МИРООЩУЩЕНИЕ В ХУДОЖЕСТВЕННОЙ КУЛЬТУРЕ РОССИИ КОНЦА ХIХ – НАЧАЛА ХХ ВЕКА

Content
Title variants
EN
Impressionistic Way of Real World Perception in Russian Artistic Culture During the End of the 19th Century and in the Beginning of the 20th Century
Languages of publication
RU
Abstracts
EN
Such distinguishing features of impressionism as disappearing of materialism as a way of real world perception, new principles of artistic generalization and structuralism required maximum mobilization of inner resources of art to express new tendencies for culture through unknown figurative images. Later this new feature of art was influenced not only by the restless will of an artist, being eager to experiment, but also by quite objective conditions. Destruction of an old picture of the world revealed itself in all trends of art. A new feeling of life and time appeared, giving birth to art of a new quality. Something vague and elusive dominated the new trend of art, very much similar to the vagueness of people’s lives. These are not distinctly outlined images, some are illusions. These new artistic optical illusions witnessed rejection of easily recognizable and long ago adopted images in culture. As a result new artistic means without any evident material objects as a basis were stressed to reveal that inner moral state of a man during the end of the 19th century and in the beginning of the 20th century.
Year
Volume
XII
Pages
175-180
Physical description
Dates
published
2010-12-01
Contributors
  • Кемеровский государственный университет культуры и искусств
References
  • В. Альфонсов, Слова и краски. Очерки из истории творческих связей поэтов и художников. Москва, Ленинград 1966, c. 7.
  • В.Я. Брюсов, От издателя, в: idem, Среди стихов: 1894–1924. Манифесты, статьи, рецензии, Москва 1990, c. 11.
  • А.А. Козловский, Комментарии, в: В.Я. Брюсов, Сочинеиия, в 2 т., Москва 1987, т. 1, c. 486.
  • В.Я. Брюсов, Книга о русских поэтах последнего десятилетия, Санкт-Петербург, Москва 1909.
  • М. Васильев, Р. Щербаков, Комментарии, в: В.Я. Брюсов, Собранное сочинения, в 7 т., Москва 1973, т. 1, с. 566.
  • С.Д. Титаренко, Сонет в поэзии серебряного века: художественный канон и проблема стилевого развития, Кемерово 1998, c. 36–41.
  • В.Я. Брюсов, Собранное сочинения, т. 1, c. 33.
  • П.А. Сорокин, Человек. Цивилизация. Общество, Москва 1992, c. 543.
  • Н.А. Хренов, Социальная психология искусства: переходная эпоха, Москва 2005, с. 624.
Document Type
Publication order reference
Identifiers
YADDA identifier
bwmeta1.element.desklight-a2b390fb-90b3-43ca-ac9d-38b953c85801
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