EN
The impulse to aestheticize nature, firmly rooted in the modern drive to conquer it, laid the foundations for a panoramic theoretical perspective.Any new aesthetics, in turn, must take into account the change of circumstances in which nature currently develops, its changing socio-historical conception, as well as the process of cultural transmission, whereby an idealized image of nature is passed on from generation to generation. It is to be assumed that alongside the aestheticized understanding of nature as a landscape, there exists a ‘micrological’ view, which hails in a new type of aesthetic sensitivity. This new sensitivity takes the ideal of harmonious coexistence as the basis of a renewed relationship between man and nature, and the expanded aesthetics of nature is its proper custodian.