L’art comme présentation chez Gadamer. Portée et limites d’un concept

• Authors: Grondin Jean
• Languages of publication: EN

Abstracts

EN

The notion of presentation (Darstellung) is a key concept of Truth and Method and of Gadamer’s hermeneutics as a whole. It has however many levels of meaning that this article seeks to sort out: presentation as 1) performance, 2) interpretation, 3) revelatory epiphany and 4) participation (festival). The aim of this article is to show how this strong conception of presentation makes it possible to understand the unity of Truth and Method and to grasp the non relativistic intent of its important theses on interpretation and language: in both cases, interpretation (or the linguistic expression) must be understood as the unfolding of meaning that stems from the work or the thing itself.

Keywords

EN

Gadamer; presentation; performance; interpretation; participation; epiphany

• Publisher: Instytut Filozofii - Uniwersytet Jagielloński
• Journal: Estetyka i Krytyka
• Year: 2016
• Issue: 4(43)
• Pages: 85-100

Dates

published

2016

Contributors

author

Grondin Jean

• Université de Montréal, Canada

Identifiers

ISSN

1643-1243