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2013 | 10 | 157-180

Article title

Edith Craig (1869-1947): Maverick Stage Pioneer

Authors

Title variants

FR
Edith Craig (1869-1947): une pionnière de la scène

Languages of publication

EN

Abstracts

EN
Even a quick look at the life and career of Edith “Edy” Craig (1869-1947) should raise questions as to why she has been denied the recognition granted to her mother and brother, the acclaimed actress Ellen Terry and the scenic designer and theorist Edward Gordon Craig. Despite this ‘handicap’ of birth, she determined to make her own way and not to rely on the potential for nepotism such eminent relations would have permitted. This she did with a skill and passion that earned her, if not her proper place in theatre history, at least the respect of many of her contemporaries. In the light of recent research which goes some way to compensate for the previous neglect, this essay provides a necessarily brief overview of her life and early career, including her work with The Pioneer Players, an independent theatre group she founded in 1911.
FR
Même un regard rapide sur la vie et la carrière d’Edith « Edy » Craig (1869-1947) devrait soulever la question pourquoi on lui a refusé la reconnaissance qu’ont reçue sa mère et son frère – l’actrice acclamée Ellen Terry et le décorateur scénique et théoricien Edward Gordon Craig. En dépit de cet « handicap » de naissance, elle était déterminée de suivre son propre chemin et de ne pas compter sur le népotisme potentiel qu’auraient permis ces relations éminentes. Et c’est ce qu’elle a fait, avec compétence et passion, qui lui ont gagné, sinon une place dans l’histoire du théâtre, au moins du respect de la part de plusieurs de ses contemporains. A la lumière des recherches récentes, qui compensent le manque d’attention précédent, le présent essai montre, de façon sommaire, sa vie et les débuts de sa carrière, y compris son travail avec The Pioneer Players, un groupe de théâtre indépendant qu’elle a fondé en 1911.

Contributors

author
  • Uniwersytet Gdański, Poland

References

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  • Boisseau, Robin Jackson (2004). The Women of the Abbey Theatre, 1897-1925. Doctoral Thesis, University of Mary-land, 2004. <http://drum.lib.umd.edu/bitstream/1903/ 1530/1/umi-umd-1516.pdf>.
  • Carson, Lionel (1918) ed. ‘The Stage’ Year Book 1918 . London: The Stage Offices. .
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  • Schuchard, Ronald. “W. B. Yeats and the London Theatre Societies, 1901 - 1904”. The Review of English Studies, New Series, vol. 29, no. 116 (Nov., 1978), pp. 415-446. .
  • Stowell, Sheila (1992). A Stage of their Own: Feminist Playwrights of the Suffrage Era. Michigan: University of Michigan Press.
  • Tickner, Lisa (1989). The Spectacle of Women: Imagery of the Suffrage Campaign 1907-14. London: Chatty & Hindus.
  • Van Mierlo, Wim (2012) “Introduction”. In: Where there is nothing and The unicorn from the stars: Manuscript materials, by W.B. Yeats and Lady Gregory. Ithaca, NY: Cornell University Press. .
  • The Vote and Votes for Women. <http://news.google.com/ archivesearch>. Accessed on various dates, 2010.
  • Williams, Gordon (2005). British Theatre in the Great War: A Re-evalution. London & New York: Continuum.
  • Woolf, Virginia (1976). Freshwater: a comedy. London: The Hogarth Press.
  • Woolf, Virginia (2012), The Years and Between the Acts. Ware, Herts: Wordsworth Classics.

Document Type

Publication order reference

Identifiers

ISSN
1732-1220

YADDA identifier

bwmeta1.element.desklight-b25aec55-d240-4ce0-8b95-6563d18dc8c4
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