Intertekstualność, interdyskursywność, korespondencje — praktyki literackie

• Authors: Michalski Maciej

Title variants

EN

Intertextuality, interdiscoursiveness, and correspondences — literary practices

• Languages of publication: PL

Abstracts

EN

The paper presents selected phenomena of intertextuality, interdiscoursiveness, and corres-pondence of arts in contemporary literature, especially Polish. In spite of intertextuality being a category well recognized in the contemporary theory of literature, it seems rarely developed nowadays, so there is no need to present well known and classic theoretical concepts. Both intertex-tual and interdiscoursive literary practices, the latter understood as creating dialogical or polemical relations among discourses, are widespread, especially in postmodernism and late modernism, and the phenomenon of the correspondence of arts can also be considered an aspect of intertex-tuality. This article focuses on the selected examples of intertextual references (mainly allusions and stylization) in sound realization of ideas (versification), composition and genre conventions, as well as relations between literature and philosophy, especially those of parodic character con-ceived — according to the classic concept of Linda Hutcheon — as a repetition with critical distance, which marks difference rather than similarity. Philosophical parody is characterized by ambiguity (repetition means acceptance, parodic exaggeration gives critical distance) towards philosophical schools and academic discourse of philosophy. Selected phenomena are presented on the examples from texts by Julian Tuwim, Cyprian Kamil Norwid, Marian Piechal, Tomasz Różycki, Witold Gombrowicz, Sławomir Mrożek, Robert Coover, Stanisław Lem, Wystan Hugh Auden, Hans Magnus Enzensberger, Stefan Themerson, and Leszek Kołakowski.

Keywords

EN

intertextuality; interdisoursiveness; correspondence of arts; parody; literature and philosophy

• Publisher: Akademia Muzyczna im. Stanisława Moniuszki w Gdańsku, Wydział Dyrygentury, Kompozycji i Teorii Muzyki
• Journal: Aspekty Muzyki
• Year: 2017
• Volume: 7
• Pages: 33-51

Contributors

author

Michalski Maciej

• Uniwersytet Gdański Wydział Filologiczny, Instytut Filologii Polskiej

References

• Barthes Roland, Wykład, tłum. Tadeusz Komendant, „Teksty” 1979, nr 5, s. 9–29.
• Enzensberger Hans Magnus, Eliksiry nauki, tłum. Sławomir Leśniak, Gdańsk 2016.
• Handke Ryszard, O pewnym materii pomieszaniu, czyli między baśnią a science fi ction, „Teksty” 1975, nr 5, s. 50–68.
• Hutcheon Linda, A Theory of Parody. The Teachings of Twentieth-Century Art Forms, New York– London 1985.
• Hutcheon Linda, Historiograficzna metapowieść: parodia i intertekstualność historii, w: Postmodernizm. Antologia przekładów, red. Ryszard Nycz, Kraków 1996, s. 378–398.
• Kołakowski Leszek, Poezja filozoficzna Stanisława Jachowicza (o „Pan Kotek był chory”), idem, Pochwała niekonsekwencji, t. 3, Londyn 2002, s. 178–180.
• Michalski Maciej, Dyskurs, apokryf, parabola. Strategie filozofowania w prozie współczesnej, Gdańsk 2002.
• Mitosek Zofia, Mimesis krytyczna, w: eadem, Mimesis, Warszawa 1997, s. 123–151.
• Nycz Ryszard, Intertekstualność i jej zakresy: teksty, gatunki, światy, w: idem, Tekstowy świat, Warszawa 1993.