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2013 | 6 | 62-74

Article title

Spojrzenie na veraicon. Gra z tradycją Dorothee von Windheim

Authors

Title variants

EN
A look at vera icon: Dorothee von Windheim’s play with tradition

Languages of publication

PL EN

Abstracts

EN
The first true image of God was created on the inititiative of a woman, St Veronica. She, the first woman-artist, paradoxically managed to capture tangibly, on a canvas, the image of the One who is intangible. Since the early Middle Ages, the true Face of Christ, the vera icon, has inscribed itself in the iconographic tradition of both Latin and Byzantine Christianity. One of many modern artists who’s ideas correspond to the work of Veronica is Dorothee von Windheim. In her cycle Salve Sancta Facies, by using traditional photography, the artist introduces the viewers into a game of perception, basing on which they should pose themselves a question about the authenticity of an artwork. Thus the artist deconstructs the originally adopted cult-related character of the vera icon and builds new semantic structures. Therefore, von Windheim’s creative attitude and her cycle Salve Sancta Facies place her among those artists anchored in the modernist understanding of the work of art. For von Windheim looks for the truthfulness (vera) and authenticity of the artwork not just in its cult-related and narrative message, but rather in its physical structure, thus treating the achievements of tradition as the building material for a new, autotelic artwork.

Contributors

  • Katolicki Uniwersytet Lubelski Instytut Historii Sztuki Al. Racławickie 14, 20–950 Lublin +48 81 445 43 37

References

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.desklight-b99088d8-360d-4837-abf3-c6b8f7dac814
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