Oscar and the Lady in Pink is the most frequently adapted narrative by Éric-Emmanuel Schmitt. In Poland, the first performance was made based on the translation by Barbara Grzegorzewska published in 2004. First, the paper focuses on the image of God in the original text. Then, we compare his image in the French and Polish text of the narrative. Finally, we pass to the analysis of the image of God in the Polish theatrical adaptation by Anna Augustynowicz. We look at the Polish translation by Grzegorzewska and at the text and others theater signs proposed by the performance director.