Chińska porcelana

• Authors: Prussak Maria

Title variants

EN

Fine China

Abstracts

EN

The article uses the example of The Card Index by Tadeusz Różewicz to pose some questions concerning the identity of a literary text that exists in several authorial versions, which in turn forces one to pause and think which of these versions should be a basis for a critical edition or interpretation of the work. The case of The Card Index is particularly complicated because as many as three different texts in which the recurring Card Index is the key element exist; there are two manuscript versions published as autograph reproductions, and a video footage, published on DVD, of open rehearsals to the unfinished production of Kartoteka rozrzucona (‘The Scattered Card Index’). Interpretation of the drama must take the interrelatedness and complementariness of these versions into account.

Keywords

EN

Polish theatre; Polish drama; theatre studies; Tadeusz Różewicz

• Publisher: Polska Akademia Nauk. Instytut Sztuki PAN
• Journal: Pamiętnik Teatralny
• Year: 2013
• Volume: 62
• Issue: 3-4(247-248)
• Pages: 37-46

Contributors

author

Prussak Maria

• Instytut Badań Literackich Polskiej Akademii Nauk

References

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• G. Niziołek, Ciało i słowo. Szkice o teatrze Tadeusza Różewicza, Kraków 2004.
• Z. W. Solski, Fiszki Tadeusza Różewicza. Technika kompozycji w dramacie i poezji, Opole 2011.
• K. Tokarska-Stangret, Jak zarchiwizować poetę, „Teatr” 2011 nr 12.
• S. Treugutt, Pożegnanie teatru, oprac. M. Prussak, Warszawa 2001.
• T. Różewicz, Margines, ale..., wybór i opracowanie J. Stolarczyk, Wrocław 2010.