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2013 | 22/1 | 35-44

Article title

In the Land of Ulro: Satan as a Concept of Mistaken Creativity in William Blake’s Poetry and Designs

Content

Title variants

Languages of publication

EN

Abstracts

EN
Unlike other famous Romantics, William Blake does not glorify Satan as an embodiment of such concepts as liberty, independence and freethinking. In the following article an attempt will be made to see how in Blake’s poetry and painting the figure of Satan becomes associated with rationalism and the notion of misguided creativity. In this aspect Satan is consistently identified with Urizen, Blake’s personification of the fallen human reason and the creator of the material universe. This identification functions as a critique of empiricism and rationalism characteristic for the Age of Reason.

Contributors

  • University of Warsaw

References

  • Blake, William. 1966. Blake: Complete Writings with Variant Readings, ed. Sir Geoffrey Keynes. Oxford: Oxford University Press.
  • Damon, Samuel Foster. 1995. A Blake Dictionary: The Ideas and Symbols of William Blake. Hannover and London: University Press of New England.
  • Eaves, Morris. 1982. William Blake’s Theory of Art. Princeton, New Jersey: Princeton University Press.
  • Nesfield-Cookson, Bernard. 1987. William Blake: A Prophet of Universal Brotherhood. London: The Aquarian Press.
  • Raine, Kathleen. 1982. The Human Face of God: William Blake and the Book of Job. London: Thames and Hudson.
  • Rudwin, Maximillian. 1999. Diabeł w legendzie i literaturze. Trans. J. Illig. Kraków: Znak.
  • Zalewska-Lorkiewicz, Katarzyna. 1996. Książę Ciemności. O średniowiecznych wyobrażeniach Szatana. Warszawa: DIC.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.desklight-c5fdfb7b-9f13-4ec0-a77a-34c3444eee0b
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