Musical Works as Ideal Objects: Phenomenology of Music and its Implications for Philosophical Anthropology

• Authors: Geniušas Saulius
• Languages of publication: EN

Abstracts

EN

In light of recent studies in the phenomenology of music, the essay engages anew in the classical phenomenological controversy over the ideal status of musical works. I argue that musical works are bound idealities. I maintain that the listener’s capacity to apperceive physical sounds as musical melodies, which can be repeatedly and intersubjectively experienced, accounts for the ideality of musical works. Conceived of as bound idealities, musical works 1) are bound to the acts that sustain them; 2) do not have retroactive validity; 3) are inseparable from their reproductions; 4) are modified by the performances. I conclude with some reflections on the importance of bound idealities for the phenomenologically-oriented philosophical anthropology.

Keywords

EN

phenomenology of music; Edmund Husserl; Roman Ingarden; purely intentional object; bound ideality; philosophical anthropology

• Publisher: Instytut Filozofii i Socjologii Polskiej Akademii Nauk; Fundacja Filozofia Na Rzecz Dialogu
• Journal: Dialogue and Universalism
• Year: 2018
• Issue: 4
• Pages: 231-244

Contributors

author

Geniušas Saulius

• Chinese University of Hong Kong, Fung King Hey Bld, Department of Philosophy, CUHK, Shatin, New Territories, Hong Kong