2017 | 38 | 157-166
Article title

Immanencja obrazu – o koncepcji kina według Gilles’a Deleuze’a.

Title variants
The Immanence of The Image-About Gilles Deleuze’s Concept of the Cinema.
Languages of publication
In the following text, the problem with the relationship between the cinematic’s art and philosophy is presented. The analysis of several notions through which the innovation in thinking and writing about cinema is carried out, such as “image movement” that allows the recognition of the essence of the cinema as the relationship of various forces and escalations of its creative power. The breakthrough that took place in the cinema after the Second World War is described. The above is associated with the transition from the notion of “image movement” to the concept of “image-time”. In correlation with the concept of time (le temps est hors de ses gonds), the question of montage is discussed. Then the concepts of “pure optical situation” and “pedagogy of perception”, as well the emergence of a new type of image called “image-crystal”, are introduced. In this context, the change in our way of understanding and feeling the world is presented, and an attempt is made to evaluate the condition of the modern society.
Physical description
  • Uniwersytet Jagielloński
  • Bergson H. 2006. Materia i pamięć. Esej o stosunku ciała do ducha, tłum. M. Drwięga, Wydawnictwo Zielona Sowa, Warszawa.
  • Bogue R. 2005. Deleuze on Cinema, Routledge, London-New York.
  • Bouanishe A. 2007. Gilles Deleuze – une introduction, Paris.
  • Deleuze G. 1997. Różnica i powtórzenie, tłum. B. Banasiak, K. Matuszewski, Wydawnictwo KR, Warszawa.
  • Deleuze G. 2003. Deux régimes de fous, Paris.
  • Deleuze G. 2007. Negocjacje 1972–1990, tłum. M. Herer, Wydawnictwo Naukowe Dolnośląskiej Szkoły Wyższej Edukacji TWP, Wrocław.
  • Deleuze G. 2008. Kino, tłum. J. Margański, Wydawnictwo Słowo/Obraz Terytoria, Gdańsk.
  • Deleuze G. 2016. Krytyka i klinika, tłum. B. Banasiak, P. Pieniążek, Wydawnictwo Officyna, Łódź.
  • Moulard-Leonard V. 2008. Bergson–Deleuze encourters.Transcendental experience and the thought of the virtual, State University Press, New York.
  • Sauvargnargues A. 2006. Deleuze et l’art, Puf, Paris.
Document Type
Publication order reference
YADDA identifier
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