PL EN


2015 | 4(27) | 4-31
Article title

Concerto ripienona wybranych przykładach Conceri a Più Istrumenti op. 3 Carla Tessariniego

Content
Title variants
EN
Concerto ripieno on the basis of Concerti a Più Istrumenti op. 3 by Carlo Tessarini
Languages of publication
PL
Abstracts
EN
Many composers created instrumental concerto in the 18th century, but only a few of them are well known. The group of these authors, whose output is forgotten, includes Carlo Tessarini (before 1690, after 1766). There is a piece of information about his life – most of it is derived from title pages of his works. Tessarini was active both as a composer and as a violinist, first in Italy and then in France, England, the Netherlands, although he returned to the Urbino Cathedral during his later lifetime. His output is completely instrumental, about 90 of his works represent concertos. Since the time when the concerto had been one of the most popular instrumental genres, there were many classifications (for instance J. Mattheson, J.J. Quantz). Plenty of them took unclear criteria, therefore the division is vague, however they can give advice on the contemporary performance practice. The aim of this study is to present analyses of four of Tessarini’s concertos (no. 5–8) from Concerti a Piu Istrumenti op. 3. The author wants to present composer’s style and technique touching issues such as texture, stucture, harmony, melody, rhythm and scoring, and by these means show traits of concerto ripieno model.
Year
Issue
Pages
4-31
Physical description
Dates
online
2015-10-01
Contributors
  • Uniwersytet Jagielloński w Krakowie
References
  • Besutti P., Giuliani R., Polazzi G., Carlo Tessarini da Rimini. Violinista, compositore, editore nell’Europa del Settecento, Lukka 2012.
  • Boyden D.D., When Is a Concerto Not a Concerto?, „The Musical Quaterly” 1957, t. 43, nr 2.
  • Brook B.S., „Symphonie Concertante”. An Interim Record, „The Musical Quarterly” 1961, t. 47, nr 4.
  • Bukofzer M., Muzyka w epoce baroku. Od Monteverdiego do Bacha, tłum. E. Dziębowska, Warszawa 1970 [wyd. oryg. Nowy Jork 1947].
  • Concert Music, 1730–1750, red. G. Abraham, Oksford 1986 (The New Oxford History of Music, t. 6).
  • Koole A., Dunning A., Carlo Tessarini, [w:] The New Grove Dictionary of Music and Musicians, red. S. Sadie, t. 25, Londyn–Nowy Jork 2001.
  • McVeigh S., Hirshberg J., The Italian Solo Concerto, 1700–1760. Rhetorical Strategies and Style History, Woodbridge 2004.
  • Talbot M., Concerto, [w:] The New Grove Dictionary of Music and Musicians, t. 6, red. S. Sadie, Londyn–Nowy Jork 2001.
  • Tessarini C., Concerti a Piu Istrumenti Con Violino Obligato, e Due Violini, Alto Viola, Violoncello e Cembalo, Del Signr. Carlo Tessarini, Opera Terza, Amsterdam, a Spesa di Michele Carlo Le Cene [sic] No. 559, wyd. J. Walsh, Londyn 1734.
  • The Cambridge History of Eighteenth-Century Music, red. S.P. Keefe,Cambridge 2009 (The Cambridge History of Music).
  • Wilk P., Wenecki koncert instrumentalny w epoce Vivaldiego, Kraków 2015.
Document Type
Publication order reference
Identifiers
ISSN
2353-7094
YADDA identifier
bwmeta1.element.desklight-cc239400-c4fc-402e-9da8-b21a76ef8c74
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