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Journal

2010 | 9(16) | 30-55

Article title

Postmodernistyczne kino fantastycznonaukowe a ekologia

Authors

Title variants

Languages of publication

PL

Abstracts

EN
Pat Brereton analyzes postmodernist science fiction films in order to explore the “myth” of posthuman cyborgs and demonstrate that although these apparently transgressive postmodernist expressions can be applied to an ecological utopian discourse. Despite the fact that some contemporary theoreticians are dismissing interest in real spaces and seem to lean towards the utopian unlimited possibilities offered by cyberspace Brereton intends to search for renewed sublime mode which affirms and produces a ‘positive’ form of ecological expression. To this end he scrutinizes, among others, films such as Dark City, The Terminator and Alien Resurrection, to show how the discourse of post-human agency overlaps with ethical and ecological dialogue.

Journal

Year

Issue

Pages

30-55

Physical description

Contributors

author
elaborated by

References

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.desklight-ccbfa574-8db9-4500-a749-47ff9724196d
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