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2014 | 1 | 89-118

Article title

Wieś Bartne w powiecie gorlickim1 – konserwatorska klęska bez happy endu

Content

Title variants

EN
Village of Bartne in Gorlicki district – failure of preservation process without happy end

Languages of publication

PL

Abstracts

EN
The article is devoted to a Lemko village of Bartne situated in the Low Beskids, in the valley of Bartnianka stream, between the mountain ranges covered with forest. The village has a layout characteristic for the so-called forest village, in which a road running along a stream constitutes the main axis, and there are dirt roads perpendicular to it. Bartne was founded in the 16th century on the basis of the Wallachian rights. A family of a well-known composer Dmitry Bortniansky, the court composer of Tsarina Catherine the Great, came from here and an eulogist of Lemkivshchyna, novelist Wladimir Ignatiewicz Chiljak lived here for many years. The village became famous for local stonecutters whose manufacture (roadside shrines, cemetery tombstones, handmills) was recognised in the vicinity and beyond. Among the village buildings dominate two sacral ones: the older Greek-Catholic church and the Orthodox church established in the inter-war period. The cemeteries are also important: a parish cemetery, a choleric cemetery (from the 19th c.) and a war cemetery (from World War I). The inhabitants of the village lived in houses typical of Lemkos, the so-called chyża, where both the residential and the farming part were under one roof. A chyża was accompanied by separate granaries, cellars or other outhouses (forge, cart house, etc.). Fortunately, the buildings in the village survived the operation “Vistula” which was carried out by the Communists after World War II and consisted in forced resettlement of the local population to completely culturally unfamiliar northern areas of Poland. The political thaw after the Stalin’s death allowed the return of the displaced people to their homeland and resettle the surviving farms. Bartne, which was noticed by the conservation services in the 1960s, soon became the object of thorough studies carried out by a team of researchers from Kraków under the direction of Marian Kornecki, the leading researcher of wooden architecture in Poland. In the paper that crowned the fieldwork, completed in 1978, the team postulated the entry of the village layout and its buildings, as well as the most valuable individual farmhouses, to the register of historic monuments. In the same year the relevant inscriptions were made, and Bartne was recognised as an urban and architectural reserve. According to the assumptions proposed by M. Kornecki’s team, the village was supposed to have three protection zones: 1) a strict reserve, 2) an intensified protection zone, 3) a general protection zone. Today, 35 years after the foundation of the reserve, Bartne has transformed from a typical Lemko village into a model example of a devastated cultural landscape where the still untouched nature is accompanied by a small number of preserved wooden houses as well as stone and wooden granaries, but is dominated by brick buildings that are chaotic in their layout and aggressive in their form and colours, and ignore the harmony between the human creation and the nature’s one. Conservation services suffered a spectacular defeat in Bartne. Despite the recognition of the village as a reserve – the area subject to particular protection by definition – it lost within one generation most of those values which played a decisive role when it was granted the special status in 1978. There are many reasons that caused such situation: exclusion of the local population from the process of establishing the reserve, which made them hostile to the whole idea, withdrawal of people capable of executing the initial vision, abandonment of comprehensive and coordinated protective measures, inability to initiate a dialogue with the owners of historic buildings, lack of funds for specialized repairs. In today’s Bartne only a few enclaves of historic wooden buildings and individual historic objects have been preserved, overwhelmed by new, in general ugly, brick buildings, which do not constitute a cohesive and harmonious layout anymore. The reserve de facto stopped existing. At the moment, you can only protect humble remains that have been disappearing in the recent years at an alarming pace anyway. However, a radical change of approach by conservation services and local population, an idea for proper implementation of protective measures and their management as well as a more flexible model of financing are necessary, which could be achieved with the changes in the system of monuments protection in Poland proposed in the article.

Year

Issue

1

Pages

89-118

Physical description

Dates

published
2014

Contributors

  • dr, historyk sztuki, Uniwersytet Ekonomiczny w Krakowie, Narodowy Instytut Dziedzictwa Oddział Terenowy w Krakowie

References

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Document Type

Publication order reference

Identifiers

ISSN
0029-8247

YADDA identifier

bwmeta1.element.desklight-cd4de0a5-96ad-46c9-b8cc-24a13c732f8c
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