This article contains the description of the basic principles of development of the performance skills of the future musicalart teacher. The following methods were used during the survey: analysis, synthesis, systematization. The appropriate reference and scientific literature was investigated during research. Methodological approaches (comprehensive, humanistic and activity) were applied for the analysis of the term «performance skill of the future musical art teacher». Performance skills of the future musical art teacher – is a part of his professional skills. It includes the system of important professional qualities (musicality, performing reliability, focus on musical and professional activity), musical and professional knowledge (the attainments about the content and the means of musical performance and musical-pedagogical activity), skills (musical performance, interpretive and artistic) which are needed for the identification of the meaning of moral and aesthetic values of music. Based on the definition of the concept given above, its structural components were isolated and characterized: 1) personal and professional component (complex personal and professional qualities and abilities). Important professional qualities include musicality, reliability in a concert performance. Personal qualities are perseverance, dedication, self-control, empathy, emotion; 2) the theoretical component which includes a wide range of theoretical and practical information. These data relate to knowledge of musical performance; 3) operational and technical component includes musically-performing, musically-intellectual and artistic skills. Further pedagogical conditions of formation of performance skills of the future musical art teacher were proposed. These pedagogical conditions include: 1) promotion of educational and professional motivation of the future musical art teachers in order to improve their performance skills; 2) organization assimilation of the content of integrated performance skills of the future teachers of musical art on the basis of electronic aids; 3) the acquisition of experience performing activity of future musical art teachers. As a result, it was concluded that the efficient formation of performance skills of the future musical art teacher is possible under the complex of pedagogical conditions. Also on mastering the content of this integrated concepts and mastering musical performing experience of the future teacher of music. The perspective for further study – is to investigate the impact and effectiveness of the proposed pedagogical conditions of formation of performance skills of the future teacher of musicalart in the educational process.