Journal
Article title
Authors
Selected contents from this journal
Title variants
Opera in film — film opera
Languages of publication
Abstracts
The author discusses possible relationships between cinema and opera. Both of them belong to the realm of synthetic art (Gesamtkunstwerk), which has been evolving since the reforms of Richard Wagner, but nowadays has a completely new status. The author claims that cinema incorporates numerous strategies characteristic of opera. Yet proper film opera does not exist as a separate genre, and cinema only occasionally uses opera’s compositional patterns.
Publisher
Journal
Year
Volume
Pages
83 - 96
Physical description
Contributors
author
- Uniwersytet Jagielloński
References
Document Type
Publication order reference
Identifiers
YADDA identifier
bwmeta1.element.desklight-d91c6a84-18cd-4afb-95c7-0a03c80b7661