EN
The article focuses on the electromagnetism in the avant-garde practices in visual and sound art. It refers to perspective presented by Douglas Kahn in Sound Earth Signal: Energies and Earth Magnitude in the Arts (2013) proposing to analyse light in terms known from music. Using the notion of lived electromagnetism in the article I analyse electronic music perfor-mance Double Vision. The project emerged from Robin Fox’s and Uwe Schmidt’s co-operation aims to create experience of pop concert, that becomes a subject of audio-visual deconstruc-tion.