EN
Feminine writing is of dual nature. First, the feminist critique always bears the marks of a re-written text (we have only masculine language at our disposal); second, feminine writing would have to be completely new, different and diverse because femininity has more than one dimension. Female researches tend to point out the necessary aspect of feminine texts, which above all is the connection between writing and the female body. Woman should experience her writing through her body. Her writing should be a revolution – the beginning, the very first written word, because only thus it could overcome the constraints of the phallocentric context. In masculine rhetoric, in male language, female desires are either unspeakable or subject to irreconcilable contraries. While seemingly satisfied with attempts at feminine re-writing we have been still awaiting the creation of a feminine writing.