"Happy End", czyli zaciemnianie Hanekego i rozjaśnianie Europy

• Authors: Wojnowski Konrad
• Languages of publication: PL

Abstracts

EN

The subject of this essay is the place and meaning of Michael Haneke’s latest film, Happy End (2017), in his filmography. The author, who analyses the comic strategies in the film, suggests that they express a change in the director’s attitude towards today’s Western European problems, which may be related to the point of view of the representatives of the youngest generation in the middle class – people who use different media and language than their parents.

Keywords

EN

Michael Haneke, critical cinema, cultural criticism, Happy End

• Publisher: Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
• Journal: Załącznik Kulturoznawczy
• Year: 2019
• Issue: 6. Design. Teoria, praktyka, interpretacje
• Pages: 473-480

Contributors

author

Wojnowski Konrad

• Wydział Polonistyki UJ w Krakowie