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Journal

2010 | 9(16) | 144-152

Article title

Od utopii do post-utopii. Stalin i jego najlepsi uczniowie

Authors

Title variants

Languages of publication

PL

Abstracts

EN
The aim of the paper is the analysis of aesthetic theories of Russian Avant-garde and Post-avant-garde. The author claim that an essence of the avant-garde movement was the desire to form the world in accordance with an artistic project, which should have give a harmony and a beauty of the reality, but in fact was only a reflection of the will of power of soviets. In this perspective the Soviets and Soviet art, i.e. social realism were true successors of avant-garde and ones who continued its project instead of making it dead. The main thesis here is that social realism took over the avant-garde dream of a new world and made its own, what made avant-garde itself useless.

Keywords

Journal

Year

Issue

Pages

144-152

Physical description

Contributors

author

References

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.desklight-e19c4249-c0b0-4467-bd3a-62d01b9e2b88
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