Marta Górnicka’s «Grundgesetz»: The Chorus as Portrait and Proxy of Political Community

• Authors: Décaillet Louise
• Languages of publication: EN

Abstracts

EN

This text analyzes the function of the chorus in Marta Górnicka’s open-air production Grundgesetz (Berlin, 2018) in redefining the political community of “the German people.” While examining its relation to the audience, the author refers to examples of German mass spectacles from the Weimar Republic that invested choruses to both represent a political community in the making and to shape political subjects through collective action. Based on aesthetic and political concepts of representation, which intertwine in the performance, the author shows how the chorus of Grundgesetz both portrays and enacts “the German people” as a plurality of bodies and voices united by fundamental rights. Making it thus an available community to stand for, the performance questions the agency of the audience as a collective body capable of acting together in public space.

Keywords

EN

Marta Górnicka; chorus; performance; assembly; mass spectacle; representation; public space

• Publisher: Polska Akademia Nauk. Instytut Sztuki PAN
• Journal: Pamiętnik Teatralny
• Year: 2021
• Issue: 3(278)
• Pages: 123-143

Contributors

author

Décaillet Louise

• University of Zurich

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Identifiers

DOI

https://doi.org/10.36744/pt.830