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2014 | 3. Global Modernism(s) Approaches to trans-local / trans-cultural / trans-civilizational dimension of Modernist movements | 83-100

Article title

Modernism and Modernity in Rabindranath Tagore

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Content

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EN

Abstracts

EN
This paper is a short attempt at examining Tagore’s concept of modernity, by trying to understand what modernism and its relation to modernity means in this poet’s work. Considering the large range of his writings, essays and novels are selected according to what I consider to be the most relevant to the present investigation, favoring the more systematic writings among Tagore’’s novels and essays. Gora, however, another complex criticism of Nationalism, has not been included here, since its analysis would deserve a complete paper. It also does not focus on the introduction of European modernisms and European modernist expressions in India from a historical or aesthetic perspective. Rather, it underline a conceptual understanding through Tagore’s work of his own ideas, and the experience of modernism in India through his Indian writings. In so doing, I try to present the important differences of these concepts in an Indian colonial context, as well as the singularity of Tagore himself in his own context, hoping to contribute to an exploration of the poet’s talent and richness of expression and thinking.

Contributors

  • University of Vienna, Charles University of Prague

References

  • CHAUDHURI, Supriya, ‘Modernisms in India’, in Osborne, P., Brooker, Peter, Gasiorek, A., Longworth, D., & Thacker, A. J., The Oxford Handbook of Modernisms. Oxford, Oxford University Press, 2010.
  • DASGUPTA, Uma, “Rabindranath Tagore and Modernity”, in Tagore and Modernity, edited by Krishna Sen & Tapati Gupta, Kolkata, Dasgupta & Co., 2006.
  • GUPTA, Kalyan Sen, The Philosophy of Rabindranath Tagore, Hampshire, Burlington, Ashgate, 2005.
  • GUPTA, Kalyan Sen, 'Politics, Gandhi and Nationalism’, in Kalyan Sen Gupta, The Philosophy of Rabindranath Tagore, Hampshire, Burlington, Ashgate, 2005, 38-57.
  • GUPTA, Krishna Sen & Tapati, eds., Tagore and Modernity, Kolkata, Dasgupta & Co, 2006.
  • HUYSSEN, Andreas, “Geographies of modernism in a globalizing world”, in Peter Brooker and Andrew Thacker (Eds), Geographies of modernism, Literature, Culture, Spaces, London, New York, Routledge, 2005.
  • KAPUR, Geeta, When was Modernism, Essays on Contemporary Cultural Practice in India, New Delhi, Tulipa Books, 2000.
  • MAJUMDAR, Swapan, “The Other Face of Modernity: Tagore’’s Search for Alternatives”, in Tagore and Modernity, edited by Krishna Sen & Tapati Gupta, Kolkata, Dasgupta & Co, 2006.
  • MITTER, Partha, The Triumph of Modernism India’s artists and the avant-garde, 1922–1947, London, Reaktion Books, 2007.
  • NANDY, Ashis, The Illegitimacy of nationalism: Rabindranath Tagore and the politics of self, Oxford University Press, Oxford, 2000.
  • TAGORE, Rabindranath, ‘Introduction by Rabindranath Tagore’ in Shantiniketan, The Bolpur School of Rabindranath Tagore, W. W. Pearson, MacMillan, New York, 1916.
  • TAGORE, Rabindranath, The Home and the World, trans. By Surendranath Tagore,, MacMillan, London, 1919.
  • TAGORE, Rabindranath, Nationalism, London, MacMillan and Co., 1917.
  • TAGORE, Rabindranath, The Religion of Man (The Hibbert Lectures for 1930), George Allen & Unwin, London, [1931] 1958.
  • TAGORE, Rabindranath, Sādhanā, The Realisation of Life, London, MacMillan, [1913] 1957.
  • TAGORE, Rabindranath, “The Sunset Of The Century”, in Nationalism, London, MacMillan, 1917, 133-135.
  • TAGORE, Rabindranath, “What is Art”, in Personality, Lectures delivered in America, London, MacMillan, 1917.

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Publication order reference

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bwmeta1.element.desklight-e2cb5d1d-4fc5-4635-a4af-6ff3eb9aefa5
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