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2017 | 1(56) | 57-67

Article title

Seks i przemoc w cyberprzestrzeni: spekulatywna wizja Margaret Atwood w powieści „Oryks i Derkacz”

Content

Title variants

EN
Sex and Oppresion in Cyberspace. A Speculative Vision in Margaret Atwood's "Oryx and Crake"

Languages of publication

PL

Abstracts

EN
The paper Sex and Oppresion in Cyberspace: A Speculative Vision in Margaret Atwood’s “Oryx and Crake” Novel analyzes Margaret Atwood’s Oryx and Crake in reference to the issues of violence and sex as present in the cyberspace. Before focusing on these two problems, generic outline is introduced, starting from the commonly used categories of utopia/eutopia/dystopia to those more closely associated with Atwood herself, i.e. speculative fiction and utopia. Violent internet games and explicit pornography act in the novel as sign of ethical reevaluation, which in the long run leads the novel’s world to the verge of a total catastrophe. At the same time, the overabundance of such on-line stimuli becomes synonymous with our contemporary culture of exhaustion.

Year

Issue

Pages

57-67

Physical description

Contributors

  • Uniwersytet Opolski

References

  • Atwood, Margaret, Dire Cartographies: The Roads to Ustopia, w: In Other Worlds: SF and the Human Imagination, New York: Nan A. Talese/Doubleday 2011.
  • Atwood, Margaret, Oryks i Derkacz, przekł. Małgorzata Hesko-Kołodzińska, Poznań: Zysk i S-ka 2004.
  • Atwood, Margaret, Writing „Oryx and Crake”, w: Writing with Intent: Essays, Reviews, Personal Prose 1983-2005, New York: Basic Books 2009.
  • Atwood, Margaret, Writing Utopia, w: Writing with Intent: Essays, Reviews, Personal Prose 1983-2005, New York: Basic Books 2009.
  • Bantick, Christopher, Atwood Tackles Future Fears, w: „Sunday Tasmanian” 2003.
  • Baudrillard, Jean, Symulakry i symulacja, przekł. Sławomir Królak, Warszawa: Sic! 2005.
  • Booker, M. Keith, Dystopian Literature: A Theory and Research Guide, London: Greenwood Press 1994.
  • Bosco, Mark, The Apocalyptic Imagination in „Oryx and Crake”, w: Margaret Atwood: The Robber Bride, The Bind Assassin, Oryx and Crake, red. Harold Bloom, London: Continuum 2010.
  • Claeys, Gregory i Lyman Tower Sargent, The Utopia Reader, red. Gregory Claeys I Lyman Tower Sargent, New York: New York University Press 1999.
  • Ferns, Chris, Narrating Utopia: Ideology, Form, Gender in Utopian Literature, Liverpool: Liverpool University Press 1999.
  • Gottlieb, Erica, Dystopian Fiction East and West: Universe of Terror and Trial, Montreal: McGill-Queen’s University Press 2001.
  • Howells, Coral Ann, Margaret Atwood, New York: Palgrave Macmillan 2005.
  • Jameson, Fredric, Archeologie przyszłości. Pragnienie zwane utopia i inne fantazje naukowe, przekł. Maciej Płaza, Małgorzata Frankiewicz i Andrzej Miszk, Kraków: Wydawnictwo Uniwersytetu Jagiellońskiego 2011.
  • Little, Judith A., Introduction, w:Feminist Philosophy and Science: Utopias and Dystopias, red. Judith A. Little, New York: Prometheus Books 2007.
  • Maj, Krzysztof M., Utopia czyli tam i z powrotem. O założeniach światotwórczych narracji eu- i dystopijnych, „Wielogłos” 2014, nr 3 (21).
  • Miner, Madonne,Trust Me: Reading the Romance Plot in Margaret Atwood’s „The Handmaid’s Tale”, w: Modern Critical Interpretations: Margaret Atwood’s „The Handmaid’s Tale”, red. Harold Bloom, Philadelphia: Chelsea House Publishers 2001.
  • Tolan, Fiona, Margaret Atwood: Feminism and Fiction, Amsterdam: Rodopi 2007.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.desklight-e3189410-567d-4d0c-9c39-e2e2c8261dbe
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